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Rank #171
Bring Me the Horizon
Sheffield band who arc-ed from deathcore to arena rock crossover.
From Wikipedia
Bring Me the Horizon are a British rock band formed in 2004 in Sheffield, England. The group currently consists of lead vocalist Oli Sykes, drummer Matt Nicholls, guitarist Lee Malia and bassist Matt Kean. They are signed to RCA Records globally and Columbia Records exclusively in the United States.
Members
- Matt Kean
- Matt Nicholls
Studio Albums
- 2006 Count Your Blessings
- 2008 Suicide Season
- 2010 There Is a Hell Believe Me I’ve Seen It. There Is a Heaven Let’s Keep It a Secret
- 2013 Sempiternal
- 2015 That’s the Spirit
- 2019 amo
- 2020 POST HUMAN: SURVIVAL HORROR
- 2024 POST HUMAN: NeX GEn
- 2025 Lo-files
- 2026 Count Your Blessings | Repented
Source: MusicBrainz
Deep Dive
Overview
Bring Me the Horizon are a British rock band formed in 2004 in Sheffield, England, who spent two decades arc-ing from underground deathcore extremity to mainstream alternative and pop-rock crossover. Led by vocalist Oli Sykes alongside longtime members Matt Nicholls (drums), Lee Malia (guitar), and Matt Kean (bass), the band became one of the defining acts of the UK metalcore movement while simultaneously pushing the genre toward broader commercial and sonic territory. Their trajectory charts a path central to understanding how metal and hardcore punk have absorbed and been absorbed by electronic production, hip-hop influence, and festival-circuit accessibility over the 2010s and 2020s.
Formation Story
The band coalesced in Sheffield in 2004, emerging from a city with its own lineage of industrial metal and post-punk (Def Leppard, Arctic Monkeys, and Pulp all hailed from the same region). Sheffield in the early 2000s was fertile ground for metalcore—a fusion of metal riffing and hardcore punk tempo and ferocity—but Bring Me the Horizon distinguished themselves through an unusually aggressive deathcore orientation and visceral stage presence. The lineup of Sykes, Nicholls, Malia, and Kean solidified the band’s core and would remain largely consistent throughout its output, providing a stable creative foundation across two decades of stylistic evolution.
Breakthrough Moment
The band’s debut album, Count Your Blessings (2006), introduced a raw, deathcore-inflected sound rooted in dissonant guitars and punishing rhythms. Their second album, Suicide Season (2008), expanded their reach within the metalcore underground, combining technical brutality with more accessible song structures. However, it was There Is a Hell Believe Me I’ve Seen It. There Is a Heaven Let’s Keep It a Secret (2010) that positioned them as leaders of a new generation. The album’s title alone—sprawling, apocalyptic, religious—captured the band’s ambition and lyrical darkness. Tracks from this album circulated widely in metalcore circles and began reaching beyond the core fanbase, establishing Bring Me the Horizon as standard-bearers of UK post-hardcore and metalcore for the emerging global streaming era.
Peak Era
The band’s most commercially decisive and artistically consequential period spanned 2013 to 2019, anchored by Sempiternal (2013) and That’s the Spirit (2015). Sempiternal retained metalcore’s sonic DNA—dissonant riffs, blast beats, harsh vocals—while introducing orchestral synths, electronic production flourishes, and a more album-level sense of atmosphere. This record marked the point at which Bring Me the Horizon began attracting audiences beyond the metal underground, including fans of progressive rock, electronic music, and alternative pop. That’s the Spirit accelerated this trajectory further, moving toward more structured pop-rock songwriting and collaborative features, while maintaining the band’s darker thematic and visual aesthetic. Both albums achieved substantial chart performance and streaming success, positioning the band to headline major rock festivals and undertake international arena tours.
Musical Style
Bring Me the Horizon’s sound has been defined by sustained tension between metalcore’s foundational elements—heavy, syncopated riffs; rapid double-bass drumming; growled and screamed vocals—and an increasingly expansive palette of electronic, synth-pop, and alternative production. The early albums lean fully into deathcore: dissonant minor-key guitar work, chaotic song structures, and purely aggressive vocal delivery. By Sempiternal, however, the band began layering polished synth textures, string arrangements, and electronic beat-making into the metalcore scaffold, creating a hybrid that felt both heavy and accessible. Later records like amo (2019) and POST HUMAN: SURVIVAL HORROR (2020) pushed further into pop, trap, and experimental electronic territory, sometimes moving away from traditional rock instrumentation entirely. Throughout this evolution, the band retained its affinity for dark, introspective lyricism and a visual/sonic identity rooted in dystopian and psychological themes.
Major Albums
Sempiternal (2013)
The album that transformed Bring Me the Horizon from cult metalcore act to mainstream alternative force, blending orchestral synths and electronic production with the band’s heavy core sound and introducing a more cohesive album aesthetic.
That’s the Spirit (2015)
A refinement of Sempiternal’s pop-leaning direction, with more singalong choruses, radio-friendly structures, and streamlined production that positioned the band as legitimate rock-radio contenders.
amo (2019)
A radical stylistic shift toward electronic, trap-influenced, and experimental production, featuring collaborations and synth-heavy arrangements that abandoned traditional rock instrumentation for extended stretches.
POST HUMAN: SURVIVAL HORROR (2020)
Recorded during the pandemic and embracing synth-heavy, industrial-influenced soundscapes, this album deepened the band’s exploration of electronic textures while maintaining thematic coherence around isolation and dystopia.
Signature Songs
- Drown — A Sempiternal centerpiece that exemplifies the band’s synthesis of heavy guitars and accessible melodies, built on a hypnotic synth hook.
- Shadow Moses — A Sempiternal standout featuring layered orchestral elements and demonstrating the band’s ability to balance aggression with atmosphere.
- Sleepwalking — From That’s the Spirit, a radio-friendly track showcasing Sykes’ melodic vocal range over a pop-inflected arrangement.
- Can You Feel My Heart — A Sempiternal staple combining vulnerable vocal delivery with metalcore instrumentation, becoming one of the band’s most recognizable songs.
Influence on Rock
Bring Me the Horizon’s evolution from metalcore extremity to mainstream alternative rock reflected and accelerated broader genre-crossing trends in 2010s rock. By integrating electronic production, hip-hop-influenced rhythm and beat-making, and pop songwriting into metalcore’s framework, they demonstrated a commercially viable pathway for heavy music to reach stadium audiences without pure dilution. Their success influenced subsequent waves of bands to experiment with genre boundaries—proving that metalcore, post-hardcore, and alternative metal need not remain confined to their traditional audiences. The band’s use of synths and electronics within heavy music prefigured similar experiments across the rock and metal landscape, from progressive acts to pop-punk bands incorporating electronic elements.
Legacy
Bring Me the Horizon have become one of the most streamed rock bands globally, with their catalog accumulating billions of streams across platforms and their concerts routinely selling large venues and festival slots. Their 20-year arc from Sheffield deathcore underground to international alternative-rock fixtures represents one of the defining success stories of 21st-century heavy music. Continued studio output into the mid-2020s, including POST HUMAN: NeX GEn (2024) and Lo-files (2025), indicates the band’s sustained creative momentum and relevance. Their willingness to undergo wholesale stylistic reinvention while maintaining a core fanbase has allowed them to remain culturally visible through multiple generational shifts in rock and pop consumption.
Fun Facts
- The band’s third album featured one of the longest album titles in rock history: There Is a Hell Believe Me I’ve Seen It. There Is a Heaven Let’s Keep It a Secret, a phrase reflecting the album’s spiritual and existential preoccupations.
- Bring Me the Horizon signed to major labels including RCA Records globally and Columbia Records in the United States, consolidating their status as mainstream rock acts by the mid-2010s.
- The band’s visual aesthetic, including recurring themes of dystopia, technology, and psychological darkness across album artwork and live performance, has been as central to their identity as the music itself.
Discography & Previews
Click any album to expand its track list. Each track plays a 30-second preview streamed from Apple Music. Tap the link icon next to a track to open it in Apple Music for full playback.
- 1 Pray for Plagues ↗ 4:22
- 2 Tell Slater Not to Wash His Dick ↗ 3:30
- 3 Braille (For Stevie Wonder's Eyes Only) ↗ 4:30
- 4 A Lot Like Vegas ↗ 2:10
- 5 Black & Blue ↗ 4:34
- 6 Slow Dance ↗ 1:16
- 7 Liquor & Love Lost ↗ 2:39
- 8 (I Used to Make out with) Medusa ↗ 5:39
- 9 Fifteen Fathoms, Counting ↗ 1:57
- 10 Off the Heezay ↗ 5:39
- 1 The Comedown ↗ 4:09
- 2 Chelsea Smile ↗ 5:03
- 3 It Was Written in Blood ↗ 4:03
- 4 Death Breath ↗ 4:21
- 5 Football Season Is Over ↗ 1:56
- 6 Sleep with One Eye Open ↗ 4:16
- 7 Diamonds Aren't Forever ↗ 3:48
- 8 The Sadness Will Never End ↗ 5:22
- 9 No Need for Introductions, I've Read About Girls Like You on the Backs of Toilet Doors ↗ 1:00
- 10 Suicide Season ↗ 8:17
- 1 Can You Feel My Heart ↗ 3:47
- 2 The House of Wolves ↗ 3:25
- 3 Empire (Let Them Sing) ↗ 3:46
- 4 Sleepwalking ↗ 3:50
- 5 Go To Hell, For Heaven's Sake ↗ 4:03
- 6 Shadow Moses ↗ 4:03
- 7 And the Snakes Start To Sing ↗ 5:02
- 8 Seen It All Before ↗ 4:07
- 9 Antivist ↗ 3:14
- 10 Crooked Young ↗ 3:35
- 11 Hospital For Souls ↗ 6:44
- 1 i apologise if you feel something ↗ 2:20
- 2 MANTRA ↗ 3:53
- 3 nihilist blues (feat. Grimes) ↗ 5:26
- 4 in the dark ↗ 4:31
- 5 wonderful life (feat. Dani Filth) ↗ 4:34
- 6 ouch ↗ 1:49
- 7 medicine ↗ 3:47
- 8 sugar honey ice & tea ↗ 4:22
- 9 why you gotta kick me when i'm down? ↗ 4:29
- 10 fresh bruises ↗ 3:18
- 11 mother tongue ↗ 3:37
- 12 heavy metal (feat. Rahzel) ↗ 4:01
- 13 i don't know what to say ↗ 5:52
- 1 Dear Diary, ↗ 2:45
- 2 Parasite Eve ↗ 4:52
- 3 Teardrops ↗ 3:35
- 4 Obey (with YUNGBLUD) ↗ 3:41
- 5 Itch For The Cure (When Will We Be Free?) ↗ 1:26
- 6 Kingslayer (feat. BABYMETAL) ↗ 3:40
- 7 1x1 (feat. Nova Twins) ↗ 3:30
- 8 Ludens ↗ 4:40
- 9 One Day The Only Butterflies Left Will Be In Your Chest As You March Towards Your Death (feat. Amy Lee) ↗ 4:03
- 1 [ost] dreamseeker ↗ 0:19
- 2 YOUtopia ↗ 4:03
- 3 Kool-Aid ↗ 3:48
- 4 Top 10 staTues tHat CriEd bloOd ↗ 4:01
- 5 liMOusIne (feat. AURORA) ↗ 4:12
- 6 DArkSide ↗ 2:45
- 7 a bulleT w/ my namE On (feat. Underoath) ↗ 4:21
- 8 [ost] (spi)ritual ↗ 1:54
- 9 n/A ↗ 3:20
- 10 LosT ↗ 3:25
- 11 sTraNgeRs ↗ 3:16
- 12 R.i.p. (duskCOre RemIx) ↗ 3:24
- 13 AmEN! (feat. Lil Uzi Vert, Daryl Palumbo & Glassjaw) ↗ 3:10
- 14 [ost] p.u.s.s.-e ↗ 2:49
- 15 DiE4u ↗ 3:27
- 16 DIg It ↗ 7:13
- 1 canyoufeelmy<3.tmpx ↗ 2:43
- 2 (U)topia.drm ↗ 4:50
- 3 in_the_dark.ech ↗ 3:08
- 4 followU.bnd ↗ 3:30
- 5 Darkside.verXx ↗ 3:08
- 6 [email protected] ↗ 3:03
- 7 sL33pwalking.idl ↗ 4:25
- 8 drwn.vvv ↗ 3:25
- 9 losT_404.nll ↗ 3:28
- 10 seenitallbefore_xx.arch ↗ 3:28
- 11 parasite.ev3 ↗ 3:15
- 12 med!cine.fbk ↗ 5:09
- 13 koolaid.xxo ↗ 3:18
- 14 d1g_it.core ↗ 3:45
- 15 DOOMED.errX ↗ 3:39
- 16 avalanche_.drft ↗ 4:20
- 17 1DayTheOnlyButterfliesLeftWillBInurChestAsuMarchTowards UrDeath.finx ↗ 3:27
- 18 sTr4nG3r5.vsn0 ↗ 3:05
- 19 1x1.syncd ↗ 4:22
- 20 shadowm0ses.frq ↗ 2:47
- 21 m0th3r.tng ↗ 4:04
- 22 DiE4u.sysrsk ↗ 3:21
- 23 Throne.GOD ↗ 2:02
- 1 Pray for Plagues (2026 Repented) ↗ 4:26
- 2 Tell Slater Not to Wash His Dick (2026 Repented) ↗ 3:40
- 3 For Stevie Wonder's Eyes Only (Braille) [2026 Repented] ↗ 4:29
- 4 A Lot Like Vegas (2026 Repented) ↗ 2:12
- 5 Black & Blue (2026 Repented) ↗ 4:33
- 6 Slow Dance (2026 Repented) ↗ 1:38
- 7 Dragon Slaying (2026 Repented) ↗ 2:41
- 8 (I Used to Make Out With) Medusa (2026 Repented) ↗ 6:06
- 9 Fifteen Fathoms, Counting (2026 Repented) ↗ 1:55
- 10 Off the Heezay (2026 Repented) ↗ 6:06
- 11 Track 11 ↗ 4:28