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Rank #145
Charlotte Gainsbourg
From Wikipedia
Charlotte Lucy Gainsbourg is a French and British actress and singer. She is the daughter of English actress and singer Jane Birkin and French singer Serge Gainsbourg. After making her musical debut with her father on the song "Lemon Incest" at the age of 12, she released an album with her father at the age of 15. More than 20 years passed before Gainsbourg released albums as an adult, to commercial and critical success. She has acted in many films, including collaborations with Lars von Trier, and received two César Awards and Cannes Film Festival's Best Actress Award, among many nominations.
Discography & Previews
Browse through and click an album to open and play 30-second previews streamed from Apple Music.
5:55
2006 · 14 tracks
- 1 5:55 ↗ 4:52
- 2 AF607105 ↗ 4:30
- 3 The Operation ↗ 3:59
- 4 Tel que tu es ↗ 3:10
- 5 The Songs That We Sing ↗ 2:57
- 6 Beauty Mark ↗ 3:07
- 7 Little Monsters ↗ 3:46
- 8 Jamais ↗ 4:37
- 9 Night-Time Intermission ↗ 2:44
- 10 Everything I Çannot See ↗ 5:46
- 11 Morning Song ↗ 3:06
- 12 Set Yourself On Fire (Bonus Track) ↗ 4:12
- 13 5:55 (The Black Ghosts Remix) [Bonus Track] ↗ 4:46
- 14 5:55 (Métronomy Remix) [Bonus Track] ↗ 4:12
IRM
2009 · 14 tracks
- 1 Master’s Hands ↗ 2:48
- 2 Irm ↗ 2:35
- 3 Le Chat du Café des Artistes ↗ 4:02
- 4 In the End ↗ 1:59
- 5 Heaven Can Wait ↗ 2:40
- 6 Me and Jane Doe ↗ 3:19
- 7 Vanities ↗ 3:37
- 8 Time of the Assassins ↗ 2:45
- 9 Trick Pony ↗ 2:52
- 10 Greenwich Mean Time ↗ 2:25
- 11 Dandelion ↗ 3:15
- 12 Voyage ↗ 4:01
- 13 La Collectionneuse ↗ 5:15
- 14 Looking Glass Blues (Bonus Track) ↗ 2:20
Stage Whisper
2011 · 19 tracks
- 1 Terrible Angels ↗ 3:49
- 2 Paradisco ↗ 4:27
- 3 All The Rain ↗ 3:24
- 4 White Telephone ↗ 3:29
- 5 Anna ↗ 2:38
- 6 Got To Let Go (feat. Charlie Fink) ↗ 3:34
- 7 Out Of Touch ↗ 3:48
- 8 Memoir ↗ 2:57
- 9 IRM (Live) ↗ 2:39
- 10 Set Yourself On Fire (Live) ↗ 3:53
- 11 Jamais (Live) ↗ 4:02
- 12 Heaven Can Wait (Live) ↗ 2:22
- 13 In The End (Live) ↗ 2:00
- 14 AF607105 (Live) ↗ 4:53
- 15 Just Like A Woman (Live) ↗ 5:16
- 16 The Operation (Live) ↗ 3:17
- 17 The Songs That We Sing (Live) ↗ 3:29
- 18 Voyage (Live) ↗ 3:10
- 19 Trick Pony (Live) ↗ 2:55
Peradam
2020 · 9 tracks
- 1 Nanda Devi (feat. Anoushka Shankar, Tenzin Choegyal & Charlotte Gainsbourg) ↗ 3:49
- 2 Peradam (feat. Anoushka Shankar, Tenzin Choegyal & Charlotte Gainsbourg) ↗ 7:47
- 3 Knowledge of the Self (feat. Anoushka Shankar, Tenzin Choegyal & Charlotte Gainsbourg) ↗ 5:47
- 4 Dawn in Rishikesh (feat. Anoushka Shankar, Tenzin Choegyal & Charlotte Gainsbourg) ↗ 4:56
- 5 Spiritual Death (feat. Anoushka Shankar, Tenzin Choegyal & Charlotte Gainsbourg) ↗ 7:47
- 6 The Four Cardinal Times (feat. Anoushka Shankar, Tenzin Choegyal & Charlotte Gainsbourg) ↗ 4:44
- 7 Hymn To the Liquid (feat. Anoushka Shankar, Tenzin Choegyal & Charlotte Gainsbourg) ↗ 4:26
- 8 Vera (feat. Anoushka Shankar, Tenzin Choegyal & Charlotte Gainsbourg) ↗ 7:29
- 9 The Rat (feat. Anoushka Shankar, Tenzin Choegyal & Charlotte Gainsbourg) ↗ 7:51
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5:55Charlotte Gainsbourg200614 tracks -
IRMCharlotte Gainsbourg200914 tracks -
Stage WhisperCharlotte Gainsbourg201119 tracks -
RestCharlotte Gainsbourg201711 tracks -
PeradamCharlotte Gainsbourg20209 tracks
Deep Dive
Overview
Charlotte Gainsbourg is a French and British singer and actress whose career has unfolded across two distinct registers: film and music. Born in 1971 to English actress Jane Birkin and French singer Serge Gainsbourg, she inherited a legacy of artistic experimentation and cultural prestige. Though she began her musical life as a child performer in her father’s shadow, her adult recording career—launched in earnest in 2006—established her as a serious alternative rock and indie pop artist in her own right, distinct from her family’s mythology.
Formation Story
Charlotte Gainsbourg grew up in Paris and London in an environment saturated with music and cinema. Her parents were figures of international artistic standing; Serge Gainsbourg was already a controversial and celebrated composer and recording artist, while Jane Birkin had established herself as both an actress and a singer. At the age of twelve, Charlotte made her musical debut performing the song “Lemon Incest” with her father, a provocative piano-based composition that became notorious in part for its familial intimacy. At fifteen, she released an album alongside Serge Gainsbourg, further entrenching her in the family’s artistic sphere. For much of her life, she remained primarily known as an actress rather than a recording artist, appearing in French and international films and developing a parallel reputation in cinema.
Breakthrough Moment
After more than two decades away from recording as a solo artist, Gainsbourg returned to music with the album 5:55 in 2006. The record marked a decisive shift: no longer the child vocalist accompanying her father, she emerged as an adult artist working in contemporary alternative rock and indie pop idioms. The album’s release signaled both a creative reclamation of musical territory and a demonstration that she had developed an independent artistic voice. This return broke a long silence and reestablished her as an active recording musician in her own right.
Peak Era
The decade following 5:55 represented Gainsbourg’s most creatively intensive period as a recording artist. She released IRM in 2009, followed by Stage Whisper in 2011, establishing herself as a consistent and critically engaged presence in alternative rock. These albums consolidated the artistic direction begun on 5:55 and demonstrated a commitment to studio experimentation and live performance. She continued recording through the 2010s and 2020s, releasing Rest in 2017, Peradam in 2020, and Lovotic in 2022, maintaining an active discography into her sixth decade.
Musical Style
Charlotte Gainsbourg’s sound as an adult artist draws from alternative rock and indie pop traditions, moving away from the piano-based pop aesthetic of her father’s era. Her recordings are marked by atmospheric production, restrained vocal delivery, and a preference for sonic texture over conventional verse-chorus-verse structure. Her work reflects both her lineage—a sensibility toward experimental songwriting and unconventional arrangements—and her contemporaries in early-2000s alternative music. Unlike much alternative rock of her generation, her work tends toward introspection and formal restraint rather than loudness or maximalist production. Her voice, often treated with effects and often buried within the mix, functions as one element among many rather than as a dominant feature.
Major Albums
Charlotte for Ever (1986)
Her first solo album, released when she was in her mid-teens; recorded as a young artist under her father’s influence and guidance during the period of her early visibility in music.
5:55 (2006)
Her adult return to recording after more than two decades, establishing her as an independent alternative rock and indie pop artist and marking a decisive shift from her earlier work and family associations.
IRM (2009)
Released three years after her return, this album deepened her exploration of contemporary alternative sound and demonstrated sustained commitment to recording and artistic development.
Stage Whisper (2011)
A continuation of her alternative rock trajectory, released two years after IRM and further solidifying her presence as an active recording artist.
Rest (2017)
Released six years after Stage Whisper, this album represented her ongoing engagement with recording and maintained her presence across decades of musical evolution.
Peradam (2020)
Her most recent album before the end of the 2020s, demonstrating continued artistic activity well into maturity.
Signature Songs
- “Lemon Incest” — Her debut performance with her father at age twelve, an infamous and intimate piano composition that defined her early public musical identity.
- “Rest” — Title track from her 2017 album, exemplifying her mature alternative rock sensibility and introspective approach.
- “Peradam” — Title track from her 2020 album, representing her continued artistic presence as a recording musician.
- “Lovotic” — From her 2022 album of the same name, her most recent major release.
Influence on Rock
Charlotte Gainsbourg represents a particular lineage within alternative and indie rock: the artist who inherits artistic credibility through family legacy yet must establish independent identity. Her decision to step away from music entirely for two decades, then return as an adult without attempting to replicate her father’s baroque pop sound or her early work’s controversial notoriety, offered a model of artistic refusal and reclamation. Her adult music, grounded in alternative rock and indie pop rather than the French chanson tradition, demonstrated that artists from family dynasties could move laterally into different musical vernaculars rather than remaining trapped by inheritance.
Legacy
Charlotte Gainsbourg’s dual career as actress and musician has ensured her place in late-twentieth and twenty-first-century cultural history independent of her parentage. Her collaborations with filmmaker Lars von Trier—which earned her a Cannes Film Festival Best Actress Award, two César Awards, and numerous nominations—established her as a significant figure in contemporary European cinema. Her recording career, though less commercially prominent than her film work, has maintained a steady presence through seven studio albums spanning from 1986 to 2022. Her recordings remain available on streaming platforms, and her filmography continues to circulate in international cinema, ensuring ongoing cultural presence among audiences interested in both alternative music and European art cinema.
Fun Facts
- She holds both French and British citizenship, reflecting her bicultural upbringing between Paris and London.
- Her acting career has intersected with music in unconventional ways, establishing her as a figure within European art cinema rather than mainstream commercial film.
- She has maintained recording contracts with major labels including Atlantic Records throughout her adult career, unusual for an artist whose output has been intermittent and artistically uncompromising.
- The twenty-year gap between her first and second solo albums remains one of the longest hiatuses in late-twentieth-century rock recording history, making her 2006 return a significant event in her artistic trajectory.