Genre
Alternative Rock
122 bands in the Top 500 carry Alternative Rock as a primary or secondary tag.
- 122 bands
- 1990s dominant era
- 12 countries
- #007 Nirvana
The band that broke grunge into the mainstream and reshaped 1990s rock.
- #009 U2
Stadium-filling Irish rockers who fused post-punk drive with anthemic ambition.
- #013 Radiohead
Restless art-rock innovators reshaping what guitar music could be.
- #016 R.E.M.
Athens, Georgia jangle-pop trailblazers who built American college rock.
- #029 Pearl Jam
Seattle's enduring grunge standard-bearers with a deep catalog.
- #032 Red Hot Chili Peppers
L.A. funk-rockers turned long-running alternative rock institution.
- #033 Foo Fighters
Dave Grohl-led rock workhorse, the most successful post-Nirvana band.
- #035 Oasis
Manchester swagger and Beatlesque hooks at the center of Britpop.
- #036 Blur
Britpop chameleons whose restless reinventions outlasted the era.
- #037 The Cure
Goth-tinged post-punk turned arena-filling alternative rock.
- #038 The Smiths
Manchester icons whose four albums defined British indie.
- #039 Joy Division
Bleak Mancunian post-punk whose two albums shaped a generation.
- #041 Pixies
Loud-quiet-loud Boston quartet who taught alternative rock how to be weird.
- #042 Sonic Youth
New York noise-rock pillars who connected the underground to the mainstream.
- #043 Rage Against the Machine
Politically charged rap-rock whose riffs fused funk-metal and protest.
- #045 Linkin Park
Genre-blending L.A. rockers whose debut redefined post-grunge radio.
- #048 Arctic Monkeys
Sheffield indie-rockers whose internet-fueled rise rewrote breakthrough playbooks.
- #049 Coldplay
British alt-rockers turned global stadium-pop colossus.
- #050 Muse
Bombastic British trio fusing prog ambition and arena spectacle.
- #051 The Smashing Pumpkins
Chicago dream-grunge band of double-album scale and shoegaze color.
- #052 Weezer
Power-pop nerds with two iconic 90s records and a long, divisive run.
- #053 The Killers
Las Vegas synth-rockers behind one of the defining 2000s debuts.
- #054 Kings of Leon
Tennessee brothers who arc-ed from southern garage to stadium rock.
- #055 System of a Down
Armenian-American L.A. quartet weaving folk, metal, and political rage.
- #058 Deftones
Sacramento metallers blending shoegaze textures with crushing weight.
- #107 Echo & the Bunnymen
Liverpool post-punk band of cinematic atmosphere and Doors-y drama.
- #137 Dinosaur Jr.
Massachusetts indie noise legends whose loud-soft template shaped 90s alt-rock.
- #138 The Replacements
Minneapolis ramshackle rockers beloved for songwriting and chaos in equal measure.
- #139 Hüsker Dü
Twin Cities trio who proved hardcore could carry melody and ambition.
- #140 Mission of Burma
Boston post-punks whose noisy intelligence prefigured indie rock.
- #157 Jimmy Eat World
Mesa, Arizona band whose 'Bleed American' became emo's mainstream entry.
- #192 Nine Inch Nails
Trent Reznor's industrial-rock juggernaut whose 'Downward Spiral' is genre-defining.
- #225 The Waterboys
Mike Scott's pan-Celtic 'big music' band of folk-rock grandeur.
- #226 Big Country
Scottish New Wave band whose bagpipe-toned guitars stamped a unique sound.
- #227 Simple Minds
Glasgow art-rockers turned 80s arena hitmakers.
- #264 Soda Stereo
Buenos Aires trio who became Latin America's biggest rock band.
- #265 Café Tacuba
Mexico City eclectics whose music spans rock en español, electronica, and more.
- #266 Maná
Guadalajara band who became one of the most popular Latin rock acts.
- #267 Caifanes
Mexico City rock-en-español pioneers of dark, danceable rock.
- #268 Babasónicos
Buenos Aires alt-rockers whose sleek strangeness defines modern Argentine rock.
- #271 Aterciopelados
Bogotá rock-en-español band of folk-tinged genre play.
- #272 Héroes del Silencio
Zaragoza band who became one of Spain's biggest rock exports.
- #278 Noir Désir
Bordeaux alt-rockers, one of France's most acclaimed rock bands.
- #300 Karnivool
Perth progressive band whose 'Sound Awake' is modern Australian prog canon.
- #301 The Vines
Sydney garage-rockers central to the early-2000s rock revival.
- #303 Powderfinger
Brisbane band, one of Australia's most successful 2000s rock acts.
- #304 Silverchair
Newcastle teen-grunge phenomenons who matured into ambitious art rock.
- #305 Midnight Oil
Sydney pub-rock turned protest-rock, fronted by future minister Peter Garrett.
- #307 Hoodoo Gurus
Sydney garage-power-poppers and longtime Australian rock favorites.
- #308 Crowded House
Trans-Tasman rockers behind enduring hits like 'Don't Dream It's Over'.
- #313 You Am I
Sydney indie-rock veterans whose 90s peak set Australian alternative rock.
- #314 Nick Cave and the Bad Seeds
Cave's Berlin-formed band of literary, often gothic alternative rock.
- #320 The Triffids
Perth band of gothic Western Australia, beloved by 80s indie.
- #321 The Go-Betweens
Brisbane indie-pop band of literary jangle and slow-burn international acclaim.
- #322 Hunters & Collectors
Melbourne pub-rock big-band of brassy anthems and beloved deep cuts.
- #323 The Church
Sydney band whose 'Under the Milky Way' became a global indie touchstone.
- #325 Gang of Youths
Sydney band of stadium-scale indie rock and emotional candor.
- #330 The Tragically Hip
Kingston band synonymous with Canadian rock identity for three decades.
- #334 Arcade Fire
Montreal collective whose 'Funeral' is a 2000s indie cornerstone.
- #335 Broken Social Scene
Toronto indie-rock collective and 2000s Canadian indie hub.
- #336 Metric
Toronto synth-rock band of Emily Haines vocals and propulsive hooks.
- #339 Billy Talent
Mississauga melodic-punk-rockers and a Canadian rock radio mainstay.
- #340 Three Days Grace
Norwood post-grunge mainstays of 2000s active-rock radio.
- #341 Nickelback
Hanna, Alberta band whose post-grunge anthems made them global hitmakers.
- #342 Theory of a Deadman
Vancouver post-grunge band aligned with the Nickelback-era radio sound.
- #343 Our Lady Peace
Toronto alt-rockers and one of Canada's biggest 90s rock exports.
- #353 The Mission
Leeds gothic-rock band founded by ex-Sisters of Mercy members.
- #354 The Wedding Present
Leeds jangle-and-noise indie band beloved by John Peel.
- #355 Pulp
Sheffield band whose Jarvis Cocker-led wit and class observation defined Britpop.
- #356 Suede
London band who lit Britpop's fuse with glam-tinged urban romance.
- #357 The Verve
Wigan band whose 'Urban Hymns' is one of Britpop's biggest sellers.
- #358 Supergrass
Oxford trio whose 'I Should Coco' captured Britpop's youthful rush.
- #360 Kasabian
Leicester indie-rockers of swaggering, electronic-leaning rock.
- #365 Razorlight
London indie-rockers of late-2000s UK chart prominence.
- #370 The Maccabees
London indie-rockers of layered guitars and acclaimed late-period work.
- #375 Wolf Alice
London band drifting between dream pop, grunge, and indie folk.
- #389 Bombay Bicycle Club
London indie-rockers of polyrhythmic playfulness and warm production.
- #393 The National
Cincinnati-via-Brooklyn band of literary baritone indie rock.
- #394 Modest Mouse
Issaquah indie-rockers whose oddball songcraft became a 2000s mainstream act.
- #395 Death Cab for Cutie
Bellingham indie-rockers of melancholy melodicism.
- #397 Wilco
Chicago alt-country pioneers turned restless American art-rock band.
- #398 My Morning Jacket
Louisville band of reverbed Americana and jam-band live reach.
- #399 Band of Horses
Seattle indie-rockers of widescreen Americana and harmony.
- #401 Spoon
Austin indie-rockers of taut, minimalist groove and crisp production.
- #408 Hole
Courtney Love-led L.A. band whose 'Live Through This' is a 90s pillar.
- #409 Garbage
Anglo-American band fronted by Shirley Manson whose 90s alt-rock hits remain canonical.
- #418 Cake
Sacramento alt-rockers of trumpet-flecked deadpan and unmistakable groove.
- #419 They Might Be Giants
Brooklyn duo of clever, durable alt-pop across many decades.
- #421 Counting Crows
Berkeley band whose 'August and Everything After' became a 90s alt-rock standard.
- #422 Hootie & the Blowfish
Columbia, S.C. band whose 'Cracked Rear View' was a 90s mass-market behemoth.
- #423 Matchbox Twenty
Florida band whose Rob Thomas-led adult-alternative dominated late-90s radio.
- #424 Goo Goo Dolls
Buffalo alt-rockers turned soft-rock hitmakers behind 'Iris'.
- #425 Live
York, Pennsylvania alt-rockers whose 'Throwing Copper' was a 90s ubiquity.
- #426 Bush
London band whose post-Nirvana grunge-rock found massive U.S. crossover.
- #427 Stone Temple Pilots
San Diego band whose Weiland-fronted grunge-rock topped 90s charts.
- #428 Audioslave
Chris Cornell-RATM supergroup of brawny post-grunge rock.
- #430 Temple of the Dog
Soundgarden-Pearl-Jam tribute project whose lone album is a grunge cornerstone.
- #432 Mudhoney
Sub Pop fuzz-rock standard-bearers and grunge OGs.
- #433 Screaming Trees
Mark Lanegan-fronted grunge band of psychedelic shading.
- #436 Butthole Surfers
Texas chaos-rock band whose live shows were 80s underground legend.
- #444 Built to Spill
Boise indie band whose Doug Martsch-led guitar sprawl is hugely influential.
- #445 Yo La Tengo
Hoboken indie lifers fluent in everything from drone to bossa nova.
- #446 Pavement
Stockton lo-fi indie cornerstone whose albums remain indie-rock canon.
- #447 Sebadoh
Lou Barlow's lo-fi indie band, an essential 90s touchstone.
- #448 Guided by Voices
Dayton indie-rock institution of Robert Pollard's prolific four-track songwriting.
- #463 Primal Scream
Glasgow rock chameleons whose 'Screamadelica' fused indie and dance.
- #464 The Stone Roses
Manchester band whose self-titled debut anchored Madchester and shaped Britpop.
- #465 Happy Mondays
Manchester baggy-rave-rockers central to Madchester.
- #466 Inspiral Carpets
Oldham Madchester organ-rock band, an early 90s indie crossover.
- #467 The Charlatans
Northwich indie-rockers and a long-running Britpop survivor.
- #473 Snow Patrol
Glasgow-formed band whose 'Chasing Cars' became a global radio staple.
- #474 Stereophonics
Cwmaman, Welsh rock veterans of working-class Britpop carried into the 21st century.
- #475 Manic Street Preachers
Welsh rockers whose literary, politicized arena-indie outlasted their dramatic 90s.
- #476 Catatonia
Welsh band fronted by Cerys Matthews, late-Britpop crossover hitmakers.
- #478 Gorillaz
Damon Albarn's animated band crossing alt-rock with hip hop and electronica.
- #479 Placebo
London band of androgynous glam-tinged alt-rock and 90s-into-2000s prominence.
- #480 Skunk Anansie
London band fronted by Skin, whose Britrock crunch broke into late-90s charts.
- #481 Therapy?
Belfast trio whose noise-pop crunch made them 90s UK rock mainstays.
- #483 The Cranberries
Limerick band fronted by Dolores O'Riordan whose 90s alt-rock hits remain ubiquitous.
- #486 Hothouse Flowers
Dublin band of Celtic-tinged soulful rock.
- #494 The Hold Steady
Brooklyn-via-Minneapolis bar-rockers of literary Craig Finn songwriting.
- #500 Hyukoh
Seoul indie-rock band among Korea's most acclaimed contemporary rock acts.