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Colin Hay
From Wikipedia
Colin James Hay is a Scottish-Australian musician. He came to prominence as the lead vocalist and the sole continuous member of the band Men at Work, and later as a solo artist. Hay is a member of the band Ringo Starr & His All-Starr Band.
Discography & Previews
Browse through and click an album to open and play 30-second previews streamed from Apple Music.
Peaks & Valleys
1992 · 13 tracks
- 1 Into the Cornfields ↗ 4:00
- 2 She Keeps Me Dreaming ↗ 3:50
- 3 Can't Take This Town ↗ 3:28
- 4 Walk Amongst His Ruins ↗ 3:32
- 5 Hold Onto My Hand ↗ 4:58
- 6 Keep On Walking ↗ 2:32
- 7 Dream On ↗ 5:19
- 8 Boy Boy ↗ 2:19
- 9 Conversation ↗ 3:15
- 10 Melbourne Song ↗ 2:44
- 11 Sometimes I Wish ↗ 6:29
- 12 Go Ask an Old Man ↗ 2:59
- 13 Sea Dogs ↗ 3:28
Topanga
1994 · 13 tracks
- 1 I Haven't Seen You In a Long Time ↗ 3:20
- 2 Into the Cornfields ↗ 4:09
- 3 Waiting for Real Life to Begin ↗ 4:57
- 4 Can't Take This Town ↗ 4:52
- 5 I Think I Know ↗ 4:00
- 6 Against the Tide ↗ 4:54
- 7 I Don't Miss You Now ↗ 2:55
- 8 She Put the Blame On You ↗ 3:48
- 9 Woman's Face ↗ 5:14
- 10 Lost Generation ↗ 3:58
- 11 Road to Mandalay ↗ 3:48
- 12 Ooh, Ooh, Ooh, Ooh Baby ↗ 4:53
- 13 Spencer the Rover (Bonus Track) ↗ 4:34
Transcendental Highway
1998 · 13 tracks
- 1 Transcendental Highway ↗ 5:49
- 2 Don't Believe You Anymore ↗ 3:56
- 3 My Brilliant Feat ↗ 5:48
- 4 Goodbye My Red Rose ↗ 3:32
- 5 If I Go ↗ 4:27
- 6 I'm Doing Fine ↗ 4:59
- 7 Wash It All Away ↗ 3:24
- 8 Cactus ↗ 4:43
- 9 Death Row Conversation ↗ 4:56
- 10 I'll Leave the Light On ↗ 4:40
- 11 Freedom Calling ↗ 5:04
- 12 I Just Don't Think I'll Ever Get Over You ↗ 5:29
- 13 I’m Doing Fine (Bonus Track) ↗ 5:24
Going Somewhere
2000 · 15 tracks
- 1 Beautiful World ↗ 4:04
- 2 Looking for Jack ↗ 2:56
- 3 Going Somewhere ↗ 2:39
- 4 Wayfaring Sons ↗ 3:42
- 5 Children On Parade ↗ 3:38
- 6 My Brilliant Feat ↗ 3:27
- 7 Waiting for My Real Life to Begin (Album Version) ↗ 5:46
- 8 Don't Wait Up ↗ 4:00
- 9 Lifeline ↗ 4:02
- 10 Circles Erratica ↗ 4:05
- 11 Water Song ↗ 4:09
- 12 Maggie ↗ 4:21
- 13 I Don't Know Why (Live) ↗ 2:54
- 14 Waiting for My Real Life to Begin (Radio Edit) ↗ 3:39
- 15 I Just Don't Think I'll Ever Get Over You (Radio Edit) ↗ 4:31
Company of Strangers
2002 · 13 tracks
- 1 I Got Woken Up ↗ 3:42
- 2 Small Town Big Hell ↗ 4:22
- 3 Lucky Bastard ↗ 4:02
- 4 Company of Strangers ↗ 4:47
- 5 No Win Situation ↗ 3:00
- 6 Dear J ↗ 3:17
- 7 Small Price to Be Free ↗ 4:55
- 8 How Long Will It Last ↗ 3:38
- 9 Lifeline ↗ 3:51
- 10 Don't Wait Up ↗ 5:26
- 11 Beautiful World ↗ 3:39
- 12 And If You Only Knew ↗ 3:15
- 13 Company of Strangers (acoustic) Bonus Track ↗ 4:31
Man @ Work
2003 · 13 tracks
- 1 Beautiful World (Alternate Mix) ↗ 3:40
- 2 Down Under (Acoustic Version) ↗ 3:33
- 3 Overkill (Acoustic Version) ↗ 3:46
- 4 Storm In My Heart (New Recording) ↗ 3:07
- 5 Looking for Jack (New Recording) ↗ 4:06
- 6 Don't Be Afraid (Previously Unreleased) ↗ 2:55
- 7 It's a Mistake (New Recording) ↗ 4:45
- 8 Waiting for My Real Life to Begin ↗ 5:44
- 9 To Have and to Hold (Previously Unreleased) ↗ 3:27
- 10 Who Can It Be Now? (Acoustic Version) ↗ 3:23
- 11 Be Good Johnny (New Recording) ↗ 3:34
- 12 Love Is Innocent (Previously Unreleased) ↗ 4:42
- 13 Down Under ↗ 4:48
Are You Lookin' at Me?
2007 · 12 tracks
- 1 Are You Lookin' At Me? ↗ 4:12
- 2 Lose to Win ↗ 3:58
- 3 Here In My Hometown ↗ 5:24
- 4 Up In Smoke ↗ 3:37
- 5 No One Knows ↗ 3:58
- 6 This Time I Got You ↗ 4:07
- 7 Lonely Without You ↗ 3:54
- 8 What Would Bob Do? ↗ 4:47
- 9 Pure Love ↗ 3:25
- 10 Me and My Imaginary Friend ↗ 3:03
- 11 Land of the Midnight Sun ↗ 4:28
- 12 Wish I Was Still Drinking ↗ 4:14
American Sunshine
2009 · 13 tracks
- 1 Oh California ↗ 3:56
- 2 Prison Time ↗ 3:59
- 3 There's Water Over You ↗ 3:53
- 4 I Came Into Your Store ↗ 3:11
- 5 No Time ↗ 2:58
- 6 Broken Love ↗ 3:53
- 7 I Can't Get Up Out of This Bed ↗ 3:28
- 8 The End of Wilhemina ↗ 3:31
- 9 Baby Can I See You Tonight ↗ 4:30
- 10 Pleased to Almost Meet You ↗ 2:57
- 11 American Sunshine ↗ 4:02
- 12 Love Is Innocent (Bonus Track) ↗ 4:49
- 13 Waiting for My Real Life to Begin (Bonus Track) ↗ 5:54
Next Year People
2015 · 10 tracks
Fierce Mercy
2017 · 13 tracks
- 1 Come Tumblin' Down ↗ 4:00
- 2 Secret Love ↗ 3:57
- 3 A Thousand Million Reasons ↗ 3:36
- 4 The Best in Me ↗ 3:52
- 5 Frozen Fields of Snow ↗ 3:54
- 6 The Last to Know ↗ 3:43
- 7 I'm Going to Get You Stoned ↗ 4:30
- 8 I'm Walking Here (feat. Deploi & Swift) ↗ 4:04
- 9 Two Friends ↗ 4:21
- 10 She Was the Love of Mine ↗ 3:47
- 11 I'm Inside Outside In (Bonus Track) ↗ 3:08
- 12 Blue Bay Moon (Bonus Track) ↗ 4:47
- 13 Love Don't Mean Enough (Bonus Track) ↗ 3:28
I Just Don’t Know What to Do With Myself
2021 · 10 tracks
- 1 I Just Don’t Know What To Do With Myself ↗ 3:32
- 2 Waterloo Sunset ↗ 3:15
- 3 Wichita Lineman ↗ 3:54
- 4 Norwegian Wood (This Bird Has Flown) ↗ 2:48
- 5 Don’t Let the Sun Catch You Crying ↗ 3:41
- 6 Ooh La La ↗ 3:15
- 7 Driving With the Brakes On ↗ 4:32
- 8 Across the Universe ↗ 3:59
- 9 Can’t Find My Way Home ↗ 3:20
- 10 Many Rivers To Cross ↗ 3:04
Now and the Evermore
2022 · 10 tracks
Man @ Work Volume 2
2025 · 10 tracks
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Looking for JackColin Hay198710 tracks -
Peaks & ValleysColin Hay199213 tracks -
TopangaColin Hay199413 tracks -
Transcendental HighwayColin Hay199813 tracks -
Going SomewhereColin Hay200015 tracks -
Company of StrangersColin Hay200213 tracks -
Man @ WorkColin Hay200313 tracks -
Are You Lookin' at Me?Colin Hay200712 tracks -
American SunshineColin Hay200913 tracks -
Gathering MercuryColin Hay201110 tracks -
Next Year PeopleColin Hay201510 tracks -
Fierce MercyColin Hay201713 tracks -
I Just Don’t Know What to Do With MyselfColin Hay202110 tracks -
Now and the EvermoreColin Hay202210 tracks -
Man @ Work Volume 2Colin Hay202510 tracks
Deep Dive
Overview
Colin Hay is a Scottish-Australian musician born in 1953 who rose to international prominence as the lead vocalist and sole continuous member of Men at Work, the Australian rock band that dominated the early 1980s with witty, upbeat pop-rock. Beyond his work fronting that group, Hay has sustained a prolific solo career spanning nearly four decades, releasing fifteen studio albums from 1987 onward. His voice—conversational, warm, and rhythmically supple—remains the through-line connecting his most commercially successful period to his later independent work as a recording and touring artist.
Formation Story
Colin James Hay was born in Scotland in 1953 and came of age musically in Australia, where he would establish himself as a rock performer. The trajectory from his early years to prominence followed the pattern of many British-born musicians who emigrated to or found their artistic home in other English-speaking territories. By the late 1970s, Hay had emerged as a creative force in the Australian rock scene, eventually becoming the founding voice and principal songwriter of Men at Work. His role as the band’s lead vocalist and sole continuous member underscores his centrality to the group’s identity across all their incarnations and reunions.
Breakthrough Moment
Men at Work achieved massive international success in the early 1980s, with their debut and subsequent albums climbing charts worldwide and generating multiple hit singles. Hay’s prominence as the band’s frontman and voice gave him the platform and industry connections that would sustain his solo career once he began recording as a solo artist in the late 1980s. The release of his debut solo album Looking for Jack in 1987 marked his entry into the solo recording world, establishing a template for the independent artistry he would pursue thereafter. This move came at a time when the band’s original momentum had cooled, allowing Hay to explore creative directions under his own name.
Peak Era
Hay’s most artistically fertile solo period extended from the late 1980s through the 2000s, during which he released a steady stream of albums including Peaks & Valleys (1992), Topanga (1994), Transcendental Highway (1998), Going Somewhere (2000), and Company of Strangers (2002). This era saw him working as a recording artist for Columbia Records and building a dedicated fan base through touring and album releases. The album Man @ Work (2003) demonstrated his willingness to revisit and reframe material from his Men at Work years from a solo perspective, a creative strategy he would revisit in later years.
Musical Style
Hay’s songwriting and vocal approach are defined by conversational lyrics, accessible melodies, and a rock sensibility grounded in hooks and rhythmic propulsion rather than technical virtuosity. His voice sits in the middle register, capable of warmth and intimacy but also of driving a song with urgency when needed. As a solo artist, Hay has drawn on a broad palette of rock influences while maintaining a distinctly singer-songwriter orientation, with his own compositions forming the core of his recorded work. The instrumentation across his solo albums typically centers on guitar-driven arrangements, supporting his vocal narratives with organic production values that favor clarity and emotional directness over studio complexity.
Major Albums
Looking for Jack (1987)
Hay’s solo debut, establishing his voice as a solo recording artist and introducing audiences to his songwriting beyond the Men at Work catalog.
Peaks & Valleys (1992)
A mid-career statement released five years into his solo tenure, consolidating his artistic direction as an independent recording artist.
Topanga (1994)
Further deepened Hay’s exploration of personal and introspective songwriting within the rock idiom.
Man @ Work (2003)
A reimagining of Men at Work material from Hay’s mature solo perspective, demonstrating creative reinvention of his earlier work.
Gathering Mercury (2011)
A late-career release showing Hay’s continued creative engagement with recording and songwriting after more than two decades as a solo artist.
Signature Songs
- “Down Under” — The defining Men at Work hit that remains Hay’s most recognizable recording worldwide.
- “Overkill” — A Men at Work single showcasing Hay’s ability to craft memorable hooks within clever, observational lyrics.
- “It Ain’t Easy” — A solo-era track that exemplifies Hay’s conversational songwriting voice.
Influence on Rock
Colin Hay’s principal influence on rock music flows through Men at Work’s achievement in bringing Australian rock into the global mainstream during the early 1980s. The band’s success opened pathways for subsequent Australian and Commonwealth rock acts and demonstrated that witty, accessible rock-pop could achieve superstardom. As a solo artist, Hay has maintained the profile of a working rock musician—touring, recording, and remaining visible through his own output rather than resting on Men at Work’s laurels. His long career underscores the viability of sustained solo artistry within rock music, where many former frontmen have faded from public view while Hay has continued to record and perform.
Legacy
Colin Hay’s legacy encompasses both his founding role in Men at Work and his three-decade-plus solo career. Men at Work’s early-1980s output remains part of rock radio rotation and cultural memory, with “Down Under” in particular enduring as a universally recognized song. As a solo artist, Hay has demonstrated longevity and creative persistence, releasing new albums regularly into the 2020s and maintaining an active touring schedule. His membership in Ringo Starr & His All-Starr Band, a supergroup vehicle that brings together musicians from across rock history, situates him within the broader continuum of respected rock performers. The release of Man @ Work Volume 2 in 2025 signals his continued engagement with both his back catalog and new material, ensuring that Hay remains a living part of rock music’s ecosystem rather than a figure defined solely by past achievements.
Fun Facts
- Colin Hay was born in Scotland but built his career and achieved his greatest fame in Australia before his solo work extended his reach globally.
- He has recorded and released studio albums consistently across four decades, from 1987 to 2025, demonstrating uncommon productivity in the rock music industry.
- Hay’s participation in Ringo Starr & His All-Starr Band connects him directly to the legacy of The Beatles and positions him within the broader supergroup tradition of rock.
- His willingness to revisit and reframe Men at Work material as a solo artist—most notably with Man @ Work (2003) and its sequel—shows creative confidence in reimagining earlier work.