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Rank #391
Kaki King
From Wikipedia
Kaki King is an American guitarist and composer. King is known for her percussive and jazz-tinged melodies, energetic live shows, use of multiple tunings on acoustic and lap steel guitar, and her diverse range in different genres.
Discography & Previews
Browse through and click an album to open and play 30-second previews streamed from Apple Music.
Everybody Loves You
2002 · 10 tracks
Legs to Make Us Longer
2004 · 11 tracks
- 1 Frame ↗ 2:04
- 2 Playing With Pink Noise ↗ 3:01
- 3 Ingots ↗ 3:53
- 4 Doing the Wrong Thing ↗ 5:04
- 5 Solipsist ↗ 2:31
- 6 Neanderthal ↗ 4:28
- 7 Can the Gwot Save Us? ↗ 4:20
- 8 Lies ↗ 4:51
- 9 All the Landslides Birds Have Seen Since the Beginning of the World ↗ 2:42
- 10 Magazine ↗ 4:06
- 11 My Insect Life ↗ 8:03
…Until We Felt Red
2006 · 13 tracks
- 1 Yellowcake ↗ 2:50
- 2 Until We Felt Red ↗ 4:55
- 3 You Don't Have to Be Afraid ↗ 8:08
- 4 Goby ↗ 3:25
- 5 Jessica ↗ 3:40
- 6 First Brain ↗ 3:39
- 7 I Never Said I Love You ↗ 4:29
- 8 Ahuvati ↗ 3:40
- 9 These Are the Armies of the Tyrannized ↗ 5:18
- 10 Second Brain ↗ 3:03
- 11 Soft Shoulder ↗ 2:50
- 12 The Footsteps Die out Forever ↗ 2:13
- 13 Gay Sons of Lesbian Mothers ↗ 4:07
Dreaming of Revenge
2008 · 11 tracks
- 1 Bone Chaos In the Castle ↗ 2:28
- 2 Life Being What It Is ↗ 4:00
- 3 Sad Ameican ↗ 3:08
- 4 Pull Me Out Alive ↗ 3:45
- 5 Montreal ↗ 4:27
- 6 Open Mouth ↗ 4:42
- 7 So Much for So Little ↗ 3:32
- 8 Saving Days In a Frozen Head ↗ 3:09
- 9 Air and Kilometers ↗ 4:25
- 10 Can Anyone Who Has Heard This Music Really Be a Bad Person? ↗ 5:11
- 11 2 O'Clock ↗ 5:50
Junior
2010 · 11 tracks
- 1 The Betrayer ↗ 3:55
- 2 Spit It Back In My Mouth ↗ 4:01
- 3 Everything Has an End, Even Sadness ↗ 3:46
- 4 Falling Day ↗ 5:29
- 5 The Hoopers of Hudspeth ↗ 4:51
- 6 My Nerves that Committed Suicide ↗ 4:43
- 7 Communist Friends ↗ 3:59
- 8 Hallucinations from My Poisonous German Streets ↗ 4:25
- 9 Death Head ↗ 4:13
- 10 Sloan Shore ↗ 3:49
- 11 Sunnyside ↗ 3:33
Glow
2012 · 12 tracks
- 1 Great Round Burn ↗ 3:12
- 2 Streetlight in the Egg ↗ 3:44
- 3 Bowen Island ↗ 2:50
- 4 Cargo Cult ↗ 3:56
- 5 Kelvinator, Kelvinator ↗ 2:56
- 6 Fences ↗ 3:23
- 7 No True Masterpiece Will Ever Be Complete ↗ 3:24
- 8 Holding the Severed Self ↗ 3:21
- 9 Skimming the Fractured Surface to a Place of Endless Light ↗ 3:30
- 10 King Pizel ↗ 2:50
- 11 The Fire Eater ↗ 5:48
- 12 Marche Slav ↗ 3:03
The Neck Is a Bridge to the Body
2015 · 11 tracks
- 1 In the Beginning ↗ 4:12
- 2 Thoughts Are Born ↗ 2:31
- 3 Notes and Colours ↗ 4:11
- 4 Oobleck ↗ 4:15
- 5 Anthropomorph ↗ 3:58
- 6 The Surface Changes ↗ 3:35
- 7 Trying to Speak I (feat. Ethel) ↗ 3:49
- 8 Trying to Speak II (feat. Ethel) ↗ 4:14
- 9 It Runs and Breathes ↗ 3:54
- 10 Battle Is a Learning ↗ 4:04
- 11 We Did Not Make the Instrument, the Instrument Made Us ↗ 5:06
Modern Yesterdays
2020 · 11 tracks
- 1 Default Shell ↗ 3:32
- 2 Can't Touch This or That or You or My Face ↗ 4:08
- 3 Teek ↗ 4:32
- 4 Godchild ↗ 4:55
- 5 Rhythmic Tiny Sand Ball Patterns ↗ 4:22
- 6 Puzzle Me-You ↗ 4:26
- 7 Final State ↗ 4:33
- 8 Lorlir ↗ 2:49
- 9 Sanitized, Alone ↗ 4:19
- 10 Sei sei ↗ 3:54
- 11 Forms of Light and Death (Arr. Ú. Hansson) ↗ 4:43
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Everybody Loves YouKaki King200210 tracks -
Legs to Make Us LongerKaki King200411 tracks -
…Until We Felt RedKaki King200613 tracks -
Dreaming of RevengeKaki King200811 tracks -
JuniorKaki King201011 tracks -
GlowKaki King201212 tracks -
The Neck Is a Bridge to the BodyKaki King201511 tracks -
Modern YesterdaysKaki King202011 tracks -
SEIKaki King202511 tracks
Deep Dive
Overview
Kaki King is an American guitarist and composer born in 1979 whose career has centered on the acoustic and lap steel guitar as vehicles for complex, rhythmically intricate compositions. Emerging in the early 2000s, King established herself as a distinctive voice in instrumental and post-rock music, drawing from jazz harmonics, percussive fingerstyle technique, and the textural aesthetics of shoegaze and ambient music. Her work is characterized by energetic live performances, non-standard guitar tunings, and a commitment to treating the guitar itself as both a melodic and percussive instrument.
Formation Story
Kaki King grew up as a guitarist in the United States, eventually arriving at a solo career defined by instrumental composition and avant-garde production techniques. Rather than following the singer-songwriter tradition of rock music, King gravitated toward a more abstract approach—one that emphasized the guitar’s capacity for timbral and harmonic complexity. By the late 1990s and early 2000s, she had developed the technical foundation and compositional voice that would define her professional career, positioning herself within the emerging post-rock and instrumental music scenes where the guitar functioned as a primary compositional tool rather than an accompaniment to lyrics.
Breakthrough Moment
Kaki King’s formal recording debut came with Everybody Loves You in 2002, released on Velour Recordings. The album introduced her signature sound: densely layered acoustic guitars, unconventional tunings, and a production sensibility that blurred the line between folk-inflected fingerstyle playing and electronic manipulation. Following this initial release, she issued Legs to Make Us Longer in 2004, which solidified her reputation within the post-rock and instrumental music communities. These early releases established King as a serious compositional voice, one willing to prioritize structural complexity and sonic texture over traditional song structures or vocal presence.
Peak Era
King’s most creatively fertile period encompassed the mid-to-late 2000s and early 2010s. …Until We Felt Red (2006), Dreaming of Revenge (2008), and Junior (2010) represented a sustained period of artistic growth, in which King refined her approach to multi-tracked acoustic and lap steel arrangements while expanding her sonic palette through production choices. These albums demonstrated her capacity to work across different moods and compositional strategies—from the energetic percussiveness that characterized her live reputation to more delicate, ambient-inflected passages. Glow (2012) continued this trajectory, showing an artist fully in command of her instrument and her vision for what instrumental, post-rock-adjacent music could achieve.
Musical Style
Kaki King’s sound rests on a foundation of fingerstyle and percussive acoustic guitar technique, executed with precision and considerable physical energy. Her use of multiple non-standard tunings allows her to access a wider range of timbres and harmonic possibilities than traditional tuning, a technique she deploys to create dense, shifting harmonic landscapes. King’s compositions often prioritize rhythm and texture as much as melody, with her guitar functioning as both a harmonic and percussion instrument—a quality most apparent in her live performances, where the physical act of playing becomes part of the music’s presentation. The influence of jazz is evident in her harmonic sensibility and her willingness to explore dissonance and unusual chord voicings, while her production aesthetic aligns with post-rock and shoegaze traditions: layered, often spacious, and attentive to the interplay of clarity and obscurity, foreground and background. Her work sits at the intersection of instrumental music, acoustic music, and the broader experimental rock traditions.
Major Albums
Everybody Loves You (2002)
King’s debut established her as a serious instrumental composer, introducing the percussive acoustic and lap steel guitar approaches that would define her career.
Legs to Make Us Longer (2004)
This follow-up deepened her exploration of non-standard tunings and multi-tracked arrangements, solidifying her reputation within post-rock circles.
…Until We Felt Red (2006)
A landmark in King’s discography, demonstrating her capacity to balance energetic, rhythmically complex pieces with more ambient, textural passages.
The Neck Is a Bridge to the Body (2015)
Released after a period of relative quiet, this album showed King returning with renewed focus on the physical and compositional relationship between player and instrument.
Modern Yesterdays (2020)
A reflection of King’s continued evolution, blending her earlier percussive energy with more spacious, reflective compositional approaches.
Signature Songs
- Everybody Loves You — The title track from her debut, establishing her percussive fingerstyle approach and complex rhythmic sensibility.
- The Tooth Fairy — A frequently performed piece showcasing the precision and energy of her live playing.
- Feet Ain’t What They Used to Be — A compositional highlight demonstrating her capacity for both melodic clarity and harmonic complexity.
- New Toy — A track exemplifying her use of non-standard tunings and timbral exploration.
Influence on Rock
Kaki King’s career opened space for acoustic and instrumental music within post-rock and avant-garde rock contexts, proving that complex, formally adventurous compositions could be built around the guitar without reliance on vocals or traditional song structures. Her work aligned with broader early 2000s post-rock and experimental music movements while maintaining a distinctive emphasis on live performance energy and physical musicianship. She contributed to a wider conversation about the guitar’s role in non-traditional music, alongside other instrumental and post-rock artists of her era, demonstrating that academic-level compositional ambition and energetic, visceral performance were not mutually exclusive. Her influence extends to musicians working across post-rock, art rock, and experimental acoustic music who value technical precision and timbral sophistication.
Legacy
Kaki King’s legacy rests on her sustained commitment to instrumental composition and her position as a respected voice in post-rock and experimental acoustic music. Over more than two decades, she has maintained artistic independence while working across multiple record labels, including Velour Recordings, Cooking Vinyl, and Sony Music, a trajectory that speaks to her credibility within both independent and mainstream music industries. Her 2025 album SEI demonstrates her continued productivity and relevance, while her catalog remains available across streaming platforms, allowing new listeners to encounter her approach to acoustic guitar composition. King’s work has become a reference point for musicians and listeners interested in the intersection of folk technique, post-rock aesthetics, and instrumental innovation.
Fun Facts
- King’s use of lap steel guitar distinguishes her from most contemporary post-rock and instrumental musicians, drawing from country and Hawaiian music traditions while applying them to avant-garde compositional contexts.
- Her energetic live performances, in which the physical act of playing becomes a visual component of the musical experience, have made her a distinctive presence in concert settings and music festivals.
- King’s official website (kakiking.com) has served as her primary platform for direct fan engagement and album releases, reflecting her long-standing independence in the digital music era.