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Rank #487
The Fall
From Wikipedia
The Fall were an English post-punk band, formed in 1976 in Prestwich, Greater Manchester. They had many line-up changes, with vocalist and founder member Mark E. Smith being the only constant member. The Fall's long-term musicians included drummers Paul Hanley, Simon Wolstencroft and Karl Burns; guitarists Craig Scanlon, Marc Riley, and Brix Smith; and bassist Steve Hanley, whose melodic, circular bass lines are widely credited with shaping the band's sound from early 1980s albums such as Hex Enduction Hour to the late 1990s.
Members
- Mark E. Smith
Discography & Previews
Browse through and click an album to open and play 30-second previews streamed from Apple Music.
Live at the Witch Trials
1979 · 41 tracks
- 1 Frightened ↗ 5:03
- 1 Rebellious Jukebox (Live, BBC Session) ↗ 3:00
- 2 Crap Rap 2 / Like to Blow ↗ 2:05
- 2 Mother - Sister! (Live, BBC Session) ↗ 3:08
- 3 Rebellious Jukebox ↗ 2:56
- 3 Industrial Estate (Live, BBC Session) ↗ 1:46
- 4 No Xmas for John Quays ↗ 4:39
- 4 Futures and Pasts (Live, BBC Session) ↗ 2:36
- 5 Mother - Sister! ↗ 3:21
- 5 Put Away (Live, BBC Session) ↗ 3:34
- 6 Industrial Estate ↗ 2:01
- 6 Mess of Me (Live, BBC Session) ↗ 3:14
- 7 Underground Medecin ↗ 2:08
- 7 No Xmas for John Key (Live, BBC Session) ↗ 4:14
- 8 Two Steps Back ↗ 5:04
- 8 Like to Blow (Live, BBC Session) ↗ 1:48
- 9 Live at the Witch Trials ↗ 0:52
- 9 Like to Blow (Live, Liverpool '78) ↗ 2:06
- 10 Futures and Pasts ↗ 2:37
- 10 Stepping Out (Live, Liverpool '79) ↗ 3:10
- 11 Music Scene ↗ 8:01
- 11 Two Steps Back (Live, Liverpool '80) ↗ 5:51
- 12 Bingo-Master's Break-Out! ↗ 2:22
- 12 Mess of Me (Live, Liverpool '81) ↗ 3:25
- 13 Psycho Mafia ↗ 2:15
- 13 It's the New Thing (Live, Liverpool '82) ↗ 3:48
- 14 Repetition ↗ 4:56
- 14 Various Times (Live, Liverpool '83) ↗ 4:59
- 15 It's the New Thing ↗ 3:28
- 15 Bingo-Master's Break-Out! (Live, Liverpool '84) ↗ 2:49
- 16 Various Times ↗ 6:40
- 16 Frightened (Live, Liverpool '85) ↗ 5:35
- 17 Dresden Dolls ↗ 3:38
- 17 Industrial Estate (Live, Liverpool '86) ↗ 1:54
- 18 Psycho Mafia (Live) ↗ 2:21
- 18 Psycho Mafia (Live, Liverpool '87) ↗ 3:01
- 19 Industrial Estate (Live) ↗ 1:47
- 19 Music Scene (Live, Liverpool '88) ↗ 9:26
- 20 Stepping Out (Live) ↗ 2:45
- 20 Mother-Sister! (Live, Liverpool '89) ↗ 3:32
- 21 Last Orders (Live) ↗ 2:21
Dragnet
1979 · 22 tracks
- 1 Psykick Dance Hall ↗ 3:49
- 2 A Figure Walks ↗ 6:09
- 3 Printhead ↗ 3:16
- 4 Dice Man ↗ 1:45
- 5 Before the Moon Falls ↗ 4:32
- 6 Your Heart Out ↗ 3:07
- 7 Muzorewi's Daughter ↗ 3:44
- 8 Flat of Angles ↗ 4:56
- 9 Choc-Stock ↗ 2:38
- 10 Spectre vs Rector ↗ 7:57
- 11 Put Away ↗ 3:30
- 12 Rowche Rumble (Bonus Track) ↗ 4:01
- 13 In My Area (Bonus Track) ↗ 4:06
- 14 Fiery Jack (Bonus Track) ↗ 4:44
- 15 2nd Dark Age (Bonus Track) ↗ 1:59
- 16 Psykick Dance Hall (Number 2) ↗ 3:40
- 17 Rowche Rumble (Take 2) ↗ 4:05
- 18 Rowche Rumble (Take 3) ↗ 0:33
- 19 Rowche Rumble (Take 4) ↗ 3:54
- 20 Rowche Rumble (Take 5) ↗ 1:35
- 21 In My Area (Take 1) ↗ 0:49
- 22 In My Area (Take 2) ↗ 5:06
Grotesque (After the Gramme)
1980 · 15 tracks
- 1 Pay Your Rates ↗ 2:59
- 2 English Scheme ↗ 2:06
- 3 New Face In Hell ↗ 5:40
- 4 C 'n' C-S Mithering ↗ 7:36
- 5 The Container Drivers ↗ 3:06
- 6 Impression of J. Temperence ↗ 4:20
- 7 In the Park ↗ 1:43
- 8 WMC-Blob 59 ↗ 1:20
- 9 Gramme Friday ↗ 3:19
- 10 The NWRA ↗ 9:09
- 11 How I Wrote Elastic Man ↗ 4:19
- 12 City Hobgoblins ↗ 2:21
- 13 Totally Wired ↗ 3:25
- 14 Putta Block (Single Version) ↗ 4:24
- 15 Mark E. Smith Self-Interview 1980 ↗ 7:18
Hex Enduction Hour
1982 · 20 tracks
- 1 The Classical ↗ 5:16
- 1 Deer Park (Live, John Peel Session, 15/9/81) ↗ 4:26
- 2 Jawbone and the Air-Rifle ↗ 3:43
- 2 Who Makes the Nazis? (Live, John Peel Session, 15/9/81) ↗ 2:57
- 3 Hip Priest ↗ 7:48
- 3 I'm in to C.B ↗ 6:30
- 4 Fortress / Deer Park ↗ 6:41
- 4 Session Musician (Live) ↗ 9:11
- 5 Mere Pseud Mag. Ed. ↗ 2:49
- 5 Jazzed up Punk Shit (Live) ↗ 4:10
- 6 Winter (Hostel-Maxi) ↗ 4:31
- 6 I'm in to C.B (Live) [Stars on 45 Version] ↗ 3:14
- 7 Winter 2 ↗ 4:33
- 7 And This Day (Live) ↗ 6:13
- 8 Just Stop S'ways ↗ 3:24
- 8 Deer Park (Live) ↗ 9:34
- 9 Who Makes the Nazis? ↗ 4:30
- 9 And This Day (Live) [Revisited] ↗ 5:24
- 10 Iceland ↗ 6:42
- 11 And This Day ↗ 10:19
Perverted by Language
1983 · 24 tracks
- 1 Eat Y'Self Fitter ↗ 6:36
- 1 Smile (Peel Session #6) ↗ 5:11
- 2 Neighbourhood of Infinity ↗ 2:40
- 2 Garden (Peel Session #6) ↗ 10:01
- 3 Garden ↗ 8:42
- 3 Hexen Definitive / Strife Knot (Peel Session #6) ↗ 9:08
- 4 Hotel Bloedel ↗ 3:48
- 4 Eat Y'Self Fitter (Peel Session #6) ↗ 7:01
- 5 Smile ↗ 5:09
- 5 Garden (Remix) ↗ 8:42
- 6 I Feel Voxish ↗ 4:19
- 6 Neighbourhood of Infinity (Live) ↗ 3:08
- 7 Tempo House ↗ 8:54
- 7 Smile (Live) ↗ 5:39
- 8 Hexen Definitive / Strife Knot ↗ 7:00
- 8 Tempo House (Live) ↗ 7:17
- 9 The Man Whose Head Expanded ↗ 4:25
- 9 Perverted By Language (Live) ↗ 1:35
- 10 Ludd Gang ↗ 2:36
- 10 Wings (Live) ↗ 3:36
- 11 Kicker Conspiracy ↗ 4:18
- 11 Backdrop (Live) ↗ 11:11
- 12 Wings ↗ 4:31
- 13 Pilsner Trail ↗ 4:49
The Wonderful and Frightening World of… The Fall
1984 · 25 tracks
- 1 Lay of the Land (Remastered) ↗ 5:44
- 1 Oh! Brother (Remastered) ↗ 4:02
- 2 2 By 4 (Remastered) ↗ 3:38
- 2 God-box (Remastered) ↗ 3:22
- 3 Copped It (Remastered) ↗ 4:15
- 3 O! Brother (Remastered) ↗ 4:19
- 4 Elves (Remastered) ↗ 4:48
- 4 C.R.E.E.P. (Remastered) ↗ 3:10
- 5 Slang King (Remastered) ↗ 5:21
- 5 Pat - Trip Dispenser (Remastered) ↗ 4:01
- 6 Bug Day (Remastered) ↗ 4:58
- 6 C.R.E.E.P. (Long Version - Remastered) ↗ 4:43
- 7 Stephen Song (Remastered) ↗ 3:05
- 7 New Fiend (2 By 4) ↗ 3:36
- 8 Craigness (Remastered) ↗ 3:03
- 8 No Bulbs 3 (Un-Edited) [Un-edited Remastered] ↗ 5:02
- 9 Disney's Dream Debased (Remastered) ↗ 5:18
- 9 Slang King 2 (Remastered) ↗ 5:16
- 10 Draygo's Guilt (Remastered) ↗ 4:31
- 11 Clear Off! (Remastered) ↗ 4:43
- 12 No Bulbs (Remastered) ↗ 7:50
- 13 Lay of the Land (Rough Mix) ↗ 4:17
- 14 Pat - Trip Dispenser (Rough Mix) ↗ 4:05
- 15 New Fiend (2 By 4) [Rough Mix] ↗ 3:39
- 16 Slang King (Edits - Version 1) ↗ 5:57
This Nation’s Saving Grace
1985 · 16 tracks
- 1 Mansion ↗ 1:21
- 2 Bombast ↗ 3:08
- 3 Barmy ↗ 5:21
- 4 What You Need ↗ 4:50
- 5 Spoilt Victorian Child ↗ 4:13
- 6 L.A. ↗ 4:10
- 7 Vixen ↗ 4:01
- 8 Couldn't Get Ahead ↗ 2:36
- 9 Gut of the Quantifier ↗ 5:16
- 10 My New House ↗ 5:16
- 11 Paintwork ↗ 6:38
- 12 I Am Damo Suzuki ↗ 5:41
- 13 To Nk Roachment: Yarbles ↗ 1:23
- 14 Petty (Thief) Lout ↗ 5:21
- 15 Rollin' Dany ↗ 2:24
- 16 Cruiser's Creek ↗ 4:18
Bend Sinister
1986 · 12 tracks
- 1 R.O.D. ↗ 4:36
- 2 DKTR. Faustus ↗ 5:35
- 3 Shoulder Pads #1 ↗ 2:56
- 4 Mr Pharmacist ↗ 2:21
- 5 Gross Chapel - British Grenadiers ↗ 7:21
- 6 Living Too Late ↗ 4:30
- 7 U.S. 80’s-90’s ↗ 4:36
- 8 Terry Waite Sez ↗ 1:39
- 9 Bournemouth Runner ↗ 6:06
- 10 Riddler! ↗ 6:22
- 11 Shoulder Pads #2 ↗ 1:57
- 12 Auto-Tech Pilot ↗ 4:53
I Am Kurious Oranj
1988 · 13 tracks
- 1 New Big Prinz ↗ 3:26
- 2 Overture (From "I Am Curious, Orange") ↗ 2:49
- 3 Dog Is Life / Jerusalem ↗ 8:54
- 4 Kurious Oranj ↗ 6:20
- 5 Wrong Place, Right Time ↗ 2:52
- 6 Guide Me Soft ↗ 2:15
- 7 C.D. Win Fall 2088 AD ↗ 4:41
- 8 Yes, O Yes ↗ 3:25
- 9 Van Plague? ↗ 4:56
- 10 Bad News Girl ↗ 5:22
- 11 Cab It Up ↗ 4:54
- 12 Last Nacht ↗ 3:56
- 13 Big New Priest ↗ 3:08
The Frenz Experiment
1988 · 15 tracks
- 1 Frenz ↗ 3:29
- 2 Carry Bag Man ↗ 4:26
- 3 Get a Hotel ↗ 4:38
- 4 Victoria ↗ 2:46
- 5 Athlete Cured ↗ 5:52
- 6 In These Times ↗ 3:26
- 7 The Steak Place ↗ 3:57
- 8 Bremen Nacht Alternative ↗ 9:17
- 9 Guest Informant Excerpt ↗ 0:40
- 10 Oswald Defence Lawyer ↗ 6:00
- 11 Tuff Life Booogie ↗ 2:45
- 12 Guest Informant ↗ 5:47
- 13 Twister ↗ 5:07
- 14 There's a Ghost in My House ↗ 2:38
- 15 Hit the North, Pt. 1 ↗ 4:01
Extricate
1990 · 24 tracks
- 1 Sing! Harpy ↗ 5:24
- 1 Telephone Thing (Unedited Version) ↗ 4:21
- 2 I'm Frank ↗ 3:22
- 2 Telephone Dub ↗ 4:27
- 3 Bill Is Dead ↗ 4:33
- 3 British People In Hot Weather ↗ 3:08
- 4 Black Monk Theme ↗ 4:35
- 4 Butterflies 4 Brains ↗ 4:16
- 5 Popcorn Double Feature ↗ 3:44
- 5 Arms Control Poseur ↗ 5:05
- 6 Telephone Thing ↗ 4:11
- 6 Arms Control Poseur (Bonus Version) ↗ 4:46
- 7 Hilary ↗ 2:30
- 7 Zandra (12" version) ↗ 2:50
- 8 Chicago Now ↗ 6:00
- 8 Black Monk Theme (Part 2) ↗ 2:01
- 9 The Littlest Rebel ↗ 3:37
- 9 Extricate ↗ 3:47
- 10 And Therein ... ↗ 2:53
- 10 Theme From Error Orror ↗ 4:13
- 11 Chicago Now (BBC Exclusive Recording) ↗ 5:35
- 12 Black Monk Theme (BBC Exclusive Recording) ↗ 4:07
- 13 Hilary (BBC Exclusive Recording) ↗ 2:24
- 14 Whizz Bang (BBC Exclusive Recording) ↗ 3:02
Shift‐Work
1991 · 30 tracks
- 1 So What About It? ↗ 3:25
- 1 White Lightning ↗ 2:13
- 2 Idiot Joy Showland ↗ 3:43
- 2 Blood Outta Stone ↗ 3:35
- 3 Edinburgh Man ↗ 4:42
- 3 Zargreb (Movement 1, 2 & 3) ↗ 5:55
- 4 Pitsville Direkt ↗ 4:02
- 4 Life Just Bounces ↗ 4:13
- 5 The Book of Lies ↗ 2:58
- 5 The Funeral Mix (12" Version) ↗ 3:31
- 6 The War Against Intelligence ↗ 3:17
- 6 High Tension Line ↗ 3:48
- 7 Shiftwork ↗ 4:37
- 7 Xmas With Simon (12" Version) ↗ 3:30
- 8 You Haven't Found It Yet ↗ 4:07
- 8 Don't Take the Pizza (12" Version) ↗ 2:38
- 9 The Mixer ↗ 3:37
- 9 So What About It? (Remix 1) ↗ 4:22
- 10 A Lot of Wind ↗ 3:46
- 10 So What About It? (Remix 2) ↗ 4:33
- 11 Rose ↗ 3:20
- 11 So What About It? (Remix 3) ↗ 4:11
- 12 Sinister Waltz ↗ 4:15
- 12 The Re-Mixer ↗ 5:11
- 13 Cloud of Black ↗ 4:23
- 14 Arid Al's Dream ↗ 4:50
- 15 The War Against Intelligence (BBC Recording) ↗ 3:02
- 16 Idiot Joy Showland (BBC Recording) ↗ 3:47
- 17 A Lot of Wind (BBC Recording) ↗ 5:27
- 18 The Mixer (BBC Recording) ↗ 4:34
Code: Selfish
1992 · 24 tracks
- 1 The Birmingham School of Business ↗ 6:44
- 1 Free Range (SINCD8 Single) ↗ 4:20
- 2 Free Range ↗ 3:57
- 2 Dangerous (SINCD8 Single) ↗ 4:00
- 3 Return (SINCD8 Single) ↗ 4:03
- 3 Ed's Babe ↗ 3:16
- 4 Time Enough At Last ↗ 3:48
- 4 Pumpkin Head Xscapes (SINCD9 Single) ↗ 3:49
- 5 Everything Hurtz (SINCD8 Single) ↗ 4:06
- 5 The Knight the Devil and Death (SINCD9 Single) ↗ 3:23
- 6 Immortality ↗ 4:30
- 6 Free Range (SINCD9 Single) ↗ 4:04
- 7 Two-Face! ↗ 6:01
- 7 Noel's Chemical Effluence ↗ 6:23
- 8 Just Waiting ↗ 4:37
- 8 The Legend of Xanadu (Ruby Trax) ↗ 3:28
- 9 So-Called Dangerous ↗ 3:44
- 9 Free Range (BBC Recording) ↗ 4:05
- 10 Gentlemen's Agreement ↗ 4:33
- 10 Kimble (BBC Recording) ↗ 3:55
- 11 Married, 2 Kids ↗ 2:44
- 11 Immortality (BBC Recording) ↗ 4:26
- 12 Crew Filth ↗ 5:24
- 12 Return (BBC Recording) ↗ 4:10
The Infotainment Scan
1993 · 12 tracks
- 1 Ladybird ↗ 4:04
- 2 Lost In Music ↗ 3:52
- 3 Glam-Racket ↗ 3:16
- 4 Im Going To Spain ↗ 3:30
- 5 It's A Curse ↗ 5:24
- 6 Paranoia Man In Cheap S**t Room ↗ 4:32
- 7 Service ↗ 4:14
- 8 The League Of Bald Headed Men ↗ 4:12
- 9 A Past Gone Mad ↗ 4:24
- 10 Light / Fireworks ↗ 3:51
- 11 Why Are People Grudgeful ↗ 4:33
- 12 League Moon Monkey Mix ↗ 4:37
Middle Class Revolt
1994 · 30 tracks
- 1 15 Ways ↗ 3:18
- 1 M5 (Live, John Peel Session) ↗ 3:10
- 2 The Reckoning ↗ 3:38
- 2 Behind the Counter (Live, John Peel Session) ↗ 4:05
- 3 Behind the Counter ↗ 3:10
- 3 Reckoning (Live, John Peel Session) ↗ 3:42
- 4 M5#1 ↗ 3:31
- 4 Hey! Student (Live, John Peel Session) ↗ 4:12
- 5 Surmount All Obstacles ↗ 3:55
- 5 Behind the Counter (Single Mix) ↗ 3:12
- 6 Middle Class Revolt ↗ 3:04
- 6 War (Single Mix) ↗ 2:45
- 7 War ↗ 2:57
- 7 Cab Driver ↗ 5:23
- 8 You're Not up to Much ↗ 4:05
- 8 M5 (Permanent Single Perm 13 & 14) ↗ 3:29
- 9 Symbol of Mordgan ↗ 3:09
- 9 Happy Holiday ↗ 3:27
- 10 Hey! Student ↗ 4:30
- 10 Behind the Counter (Remix) ↗ 3:08
- 11 Junk Man ↗ 4:24
- 11 15 Ways (Permanent Single Perm 13 & 14) ↗ 2:55
- 12 The $500 Bottle of Wine ↗ 2:34
- 12 Happy Holiday (Promo Mix) ↗ 3:26
- 13 City Dweller ↗ 4:13
- 13 Middle Class Revolt (The Drum Club Prozac Mix) ↗ 7:14
- 14 Shut Up! ↗ 3:41
- 14 Middle Class Revolt (The Drumorange in the Mouth Mix) ↗ 7:52
- 15 Middle Class Revolt (Rex Sargeant Mix) ↗ 3:45
- 16 Surmount All Obstacles (Rex Sargeant Mix) ↗ 4:07
Cerebral Caustic
1995 · 29 tracks
- 1 The Joke ↗ 2:51
- 1 Glam-Racket / Star (Live, John Peel Session #18, 17/12/94) ↗ 3:24
- 2 Don't Call Me Darling ↗ 3:36
- 2 Jingle Bell Rock (Live, John Peel Session #18, 17/12/94) ↗ 1:10
- 3 Rainmaster ↗ 3:27
- 3 Hark the Herald Angels Sing (Live, John Peel Session #18, 17/12/94) ↗ 3:11
- 4 Feeling Numb ↗ 2:46
- 4 Numb at the Lodge (Live, John Peel Session #18, 17/12/94) ↗ 3:07
- 5 Pearl City ↗ 2:47
- 5 One Day (Pre-Release Rough Mixes) ↗ 3:37
- 6 Life Just Bounces ↗ 4:48
- 6 Rainmaster (Pre-Release Rough Mixes) ↗ 3:44
- 7 I'm Not Satisfied ↗ 2:57
- 7 Feeling Numb (Pre-Release Rough Mixes) ↗ 2:55
- 8 The Aphid ↗ 2:47
- 8 The Joke (Pre-Release Rough Mixes) ↗ 2:49
- 9 Bonkers in Phoenix ↗ 6:03
- 9 Don't Call Me Darling (Pre-Release Rough Mixes) ↗ 3:46
- 10 One Day ↗ 3:22
- 10 Pearl City (Pre-Release Rough Mixes) ↗ 3:01
- 11 North West Fashion Show ↗ 3:10
- 11 Life Just Bounces (Pre-Release Rough Mixes) ↗ 4:59
- 12 Pine Leaves ↗ 3:41
- 12 I'm Not Satisfied (Pre-Release Rough Mixes) ↗ 3:19
- 13 The Aphid (Pre-Release Rough Mixes) ↗ 2:57
- 14 Bonkers in Phoenix (Pre-Release Rough Mixes) ↗ 6:15
- 15 One Day (Alternate Versions & Interview) ↗ 3:37
- 16 Bonkers in Phoenix (Alternate Versions & Interview) ↗ 6:21
- 17 Mark E. Smith & Brix Promo Interview (Alternate Versions & Interview) ↗ 7:39
The Light User Syndrome
1996 · 17 tracks
- 1 D.I.Y. Meat ↗ 2:37
- 2 Das Vulture Ans Ein Nutter-Wain ↗ 3:00
- 3 He Pep! ↗ 3:08
- 4 Hostile ↗ 3:59
- 5 Stay Away (Old White Train) ↗ 2:49
- 6 Spinetrak ↗ 3:08
- 7 Interlude / Chinilism ↗ 7:05
- 8 Powder Keg ↗ 3:16
- 9 Oleano ↗ 3:09
- 10 Cheetham Hill ↗ 3:32
- 11 The Coliseum ↗ 8:08
- 12 Last Chance to Turn Around ↗ 3:25
- 13 The Ballard of J. Drummer ↗ 3:21
- 14 Oxymoron ↗ 4:03
- 15 Secession Man ↗ 4:49
- 16 The Chiselers ↗ 3:14
- 17 Chilinist ↗ 6:15
Levitate
1997 · 28 tracks
- 1 Ten Houses of Eve ↗ 3:40
- 2 Masquerade ↗ 3:58
- 3 Hurricane Edward ↗ 5:52
- 4 I'm a Mummy ↗ 2:37
- 5 The Quartet of Doc Shanley ↗ 3:14
- 6 Jap Kid ↗ 3:03
- 7 4 1/2 Inch ↗ 3:56
- 8 Spencer Must Die ↗ 4:00
- 9 Jungle Rock ↗ 3:11
- 10 Ol' Gang ↗ 4:00
- 11 Tragic Days ↗ 1:29
- 12 I Come and Stand and Your Door ↗ 3:31
- 13 Levitate ↗ 2:50
- 14 Everybody but Myself ↗ 4:13
- 15 Powderkex ↗ 3:17
- 16 Christmastide ↗ 3:44
- 17 Recipe for Fascism ↗ 1:03
- 18 Pilsner Trail ↗ 5:20
- 19 Everybody but Myself (Live) ↗ 3:05
- 20 Masquerade (Single Mix) ↗ 3:53
- 21 Ivanhoes Two Pence ↗ 4:08
- 22 Spencer Must Die (Live) ↗ 2:18
- 23 Ten Houses of Eve (Remix) ↗ 3:44
- 24 Calendar ↗ 1:45
- 25 Scareball ↗ 2:56
- 26 Ol' Gang (Live) ↗ 5:22
- 27 Masquerade (Mr Natural Mix) ↗ 7:08
- 28 Masquerade (PWL Mix) ↗ 4:01
The Marshall Suite
1999 · 13 tracks
- 1 Touch Sensitive ↗ 3:16
- 2 F-'oldin' Money ↗ 2:46
- 3 Shake-Off ↗ 3:04
- 4 Bound ↗ 3:19
- 5 This Perfect Day ↗ 2:11
- 6 (Jung Nev's) Antidotes ↗ 3:27
- 7 Inevitable ↗ 3:51
- 8 Anecdotes and Antidotes in B# ↗ 3:00
- 9 Early Life of Crying Marshall ↗ 0:51
- 10 The Crying Marshall ↗ 4:39
- 11 Birthday Song ↗ 3:38
- 12 Mad.Men-Eng.Dog ↗ 2:19
- 13 On My Own ↗ 3:14
The Unutterable
2000 · 15 tracks
- 1 Cyber Insekt ↗ 3:19
- 2 Two Librans ↗ 3:58
- 3 W.B. ↗ 3:30
- 4 Sons Of Temperance ↗ 3:47
- 5 Dr Bucks' Letter ↗ 5:19
- 6 Hot Runes ↗ 2:18
- 7 Way Round ↗ 3:21
- 8 Octo Realm / Ketamine Sun ↗ 5:36
- 9 Serum ↗ 4:56
- 10 Unutterable ↗ 1:05
- 11 Pumpkin Soup And Mashed Potatoes ↗ 2:54
- 12 Hands Up Billy ↗ 2:47
- 13 Midwatch 1953 ↗ 5:32
- 14 Devolute ↗ 4:36
- 15 Das Katerer ↗ 2:42
Are You Are Missing Winner
2001 · 12 tracks
- 1 Jim's "the Fall" ↗ 2:40
- 2 Bourgeois Town ↗ 3:42
- 3 Crop-Dust ↗ 5:32
- 4 My Ex-Classmates' Kids ↗ 4:50
- 5 Kick the Can ↗ 5:13
- 6 Gotta See Jane ↗ 2:24
- 7 Ibis-Afro Man ↗ 9:32
- 8 The Acute ↗ 3:19
- 9 Hollow Mind ↗ 3:34
- 10 Reprise: Jane / Prof Mick / Ey Bastardo ↗ 7:03
- 11 New Formation Sermon ↗ 2:05
- 12 Where's the F****n Taxi? C**t ↗ 5:10
Fall Heads Roll
2005 · 14 tracks
- 1 Ride Away ↗ 5:01
- 2 Pacifying Joint ↗ 3:46
- 3 What About Us ↗ 5:51
- 4 Midnight Aspen ↗ 3:13
- 5 Assume ↗ 4:08
- 6 Midnight Aspen Reprise ↗ 1:53
- 7 Blindness ↗ 7:24
- 8 I Can Hear the Grass Grow ↗ 2:51
- 9 Bo Demmick ↗ 4:16
- 10 Yawanner ↗ 5:02
- 11 Clasp Hands ↗ 2:45
- 12 Early Days of Channel Führer ↗ 3:48
- 13 Breaking the Rules ↗ 2:26
- 14 Trust In Me ↗ 3:35
Reformation Post TLC
2007 · 48 tracks
- 1 Over! Over! ↗ 4:05
- 1 Over! Over! (Rough Mix) ↗ 7:01
- 1 Song 2/3 With Tape Of Tour Manager (Early Rough Mix) ↗ 1:37
- 1 Senior Twilight Stock Replacer (Live, Hammersmith Palais, 1 April 2007) ↗ 4:52
- 2 Reformation! ↗ 6:59
- 2 My Door Is Never (Rough Mix) ↗ 4:02
- 2 The Boss (Early Rough Mix) ↗ 2:53
- 2 Pacifying Joint (Live, Hammersmith Palais, 1 April 2007) ↗ 3:36
- 3 Fall Sound ↗ 3:54
- 3 Reformation! (Edit) ↗ 3:42
- 3 60's Wack (Early Rough Mix) ↗ 3:32
- 3 Fall Sound (Live, Hammersmith Palais, 1 April 2007) ↗ 3:57
- 4 White Line Fever ↗ 3:00
- 4 Insult Song (Alternative Version) ↗ 3:57
- 4 The Vine (Early Rough Mix) ↗ 3:01
- 4 Over! Over! (Live, Hammersmith Palais, 1 April 2007) ↗ 3:01
- 5 Insult Song ↗ 5:41
- 5 Reformation! (Alternative Version) ↗ 6:48
- 5 Blonde (Early Rough Mix) ↗ 2:17
- 5 Theme From Sparta F.C. (Live, Hammersmith Palais, 1 April 2007) ↗ 3:58
- 6 My Door Is Never ↗ 3:40
- 6 The Wright Stuff (Alternative Version) ↗ 7:26
- 6 Over! Over! (Early Rough Mix) ↗ 4:06
- 6 Hungry Freaks, Daddy (Live, Hammersmith Palais, 1 April 2007) ↗ 5:45
- 7 Coach And Horses ↗ 1:48
- 7 Das Boat (Alternative Version) ↗ 6:30
- 7 Reformation! (Early Rough Mix) ↗ 5:09
- 7 Wrong Place, Right Time (Live, Hammersmith Palais, 1 April 2007) ↗ 3:03
- 8 The Usher ↗ 1:18
- 8 Fall Sound (Alternative Version) ↗ 8:36
- 8 Get Out (Early Rough Mix) ↗ 3:17
- 8 My Door Is Never (Live, Hammersmith Palais, 1 April 2007) ↗ 6:29
- 9 The Wright Stuff ↗ 5:48
- 9 Onto Insanity (Rough Mix) ↗ 4:33
- 9 Scenario (Early Rough Mix) ↗ 3:29
- 9 The Wright Stuff (Live, Hammersmith Palais, 1 April 2007) ↗ 5:03
- 10 Scenario ↗ 3:24
- 10 Reformation! (Uncut!) ↗ 2:18
- 10 Wed 2 (Early Rough Mix) ↗ 4:43
- 10 White Lightning (Live, Hammersmith Palais, 1 April 2007) ↗ 3:01
- 11 Das Boat ↗ 10:08
- 11 Systematic Abuse (Early Rough Mix) ↗ 8:39
- 11 Blindness (Live, Hammersmith Palais, 1 April 2007) ↗ 9:14
- 12 The Bad Stuff ↗ 2:24
- 12 The Summer Rain (Demo) ↗ 3:44
- 12 Reformation! (Live, Hammersmith Palais, 1 April 2007) ↗ 4:43
- 13 Systematic Abuse ↗ 8:38
- 14 Outro ↗ 0:37
Imperial Wax Solvent
2008 · 12 tracks
New Facts Emerge
2017 · 11 tracks
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Live at the Witch TrialsThe Fall197941 tracks -
DragnetThe Fall197922 tracks -
Grotesque (After the Gramme)The Fall198015 tracks -
Room to LiveThe Fall19829 tracks -
Hex Enduction HourThe Fall198220 tracks -
Perverted by LanguageThe Fall198324 tracks -
The Wonderful and Frightening World of… The FallThe Fall198425 tracks -
This Nation’s Saving GraceThe Fall198516 tracks -
Bend SinisterThe Fall198612 tracks -
I Am Kurious OranjThe Fall198813 tracks -
The Frenz ExperimentThe Fall198815 tracks -
ExtricateThe Fall199024 tracks -
Shift‐WorkThe Fall199130 tracks -
Code: SelfishThe Fall199224 tracks -
The Infotainment ScanThe Fall199312 tracks -
Middle Class RevoltThe Fall199430 tracks -
Cerebral CausticThe Fall199529 tracks -
The Light User SyndromeThe Fall199617 tracks -
LevitateThe Fall199728 tracks -
The Marshall SuiteThe Fall199913 tracks -
The UnutterableThe Fall200015 tracks -
Are You Are Missing WinnerThe Fall200112 tracks -
Fall Heads RollThe Fall200514 tracks -
Reformation Post TLCThe Fall200748 tracks -
Imperial Wax SolventThe Fall200812 tracks -
Your Future Our ClutterThe Fall20109 tracks -
Re-MitThe Fall201312 tracks -
Sub‐Lingual TabletThe Fall201511 tracks -
New Facts EmergeThe Fall201711 tracks
Deep Dive
Overview
The Fall were an English post-punk band that emerged from Prestwich, Greater Manchester in 1976 and remained active until 2018. Fronted and founded by Mark E. Smith, whose caustic vocal delivery and unrelenting creative vision defined their entire 42-year existence, The Fall became one of rock’s most prolific and uncompromising acts. They occupied a space between post-punk’s raw urgency and art rock’s structural experimentation, producing a catalog of 32 studio albums that prioritized conceptual restlessness and sardonic lyricism over commercial calculation.
Formation Story
The Fall coalesced in 1976 in the working-class Manchester suburb of Prestwich, with Mark E. Smith as the sole founding and permanent member throughout their four-decade run. From the outset, Smith established a creative dictatorship that would define the band’s ethos: constant line-up rotation became a deliberate artistic strategy rather than a sign of instability. Early members rotated with frequency, but by the early 1980s, a core of long-term collaborators emerged who would anchor the band’s sound: drummer Karl Burns, guitarist Craig Scanlon, and crucially, bassist Steve Hanley. This fluid membership structure meant that The Fall rarely cohered into a stable ensemble, yet Smith’s presence remained the constant through which all iterations were filtered.
Breakthrough Moment
The Fall’s emergence into wider attention coincided with the post-punk boom of the late 1970s and early 1980s. Their first two albums, Live at the Witch Trials (1979) and Dragnet (1979), introduced their stark, repetitive approach to post-punk: minimal arrangements, angular rhythms, and Smith’s spoken-sung vocals delivered with contemptuous precision. By 1982, the band had solidified its artistic identity with Hex Enduction Hour, an album that stands as a landmark statement of post-punk possibility. Steve Hanley’s melodic, circular bass lines—a foundational element that would define The Fall’s sound across three decades—became the engine around which the band’s arrangements coalesced. The album’s release marked their transition from post-punk novelty to a sustained artistic force with a genuinely distinct voice within rock music.
Peak Era
The Fall’s most creatively vital and commercially successful period ran roughly from 1982 to 1990. Albums including Grotesque (After the Gramme) (1980), Perverted by Language (1983), The Wonderful and Frightening World of… The Fall (1984), This Nation’s Saving Grace (1985), and Bend Sinister (1986) established them as prolific masters of post-punk abstraction. Each release twisted their foundational formula—repetitive bass patterns, oblique lyrical commentary, and Smith’s distinctive deadpan delivery—into new configurations. The late 1980s saw further experimentation with I Am Kurious Oranj (1988) and The Frenz Experiment (1988), albums that pushed against post-punk orthodoxy while maintaining Smith’s sardonic worldview. By Extricate (1990), The Fall had become an institution unto themselves: a band that had never compromised their artistic vision for mainstream acceptance, yet maintained a devoted following across three continents.
Musical Style
The Fall’s sound was built on a foundation of repetition and abstraction. Rather than moving toward conventional song structures, Smith and his collaborators favored circular bass patterns—Steve Hanley’s contribution was essential here—layered with angular, often discordant guitar work from Craig Scanlon and later Marc Riley. Rhythmically, they favored off-kilter, repetitive grooves that created propulsive unease rather than dancing momentum. Smith’s vocals eschewed traditional rock frontman histrionics; instead, he spoke-sang in a thick Mancunian accent, treating lyrics as barbed observations about working-class life, bureaucratic absurdity, and cultural decline. This approach situated them within post-punk but set them apart from punk’s three-chord directness and art rock’s excessive virtuosity. The band’s evolution across four decades saw them incorporate elements of industrial music, electronic production, and even dance rhythms, yet Smith’s core aesthetic—repetitive, sardonic, architecturally minded—remained constant. Their records rarely featured traditional verses and choruses; instead, songs spiraled through variations on a single motif, building tension through accretion rather than dynamic arc.
Major Albums
Hex Enduction Hour (1982)
A landmark post-punk statement where Steve Hanley’s bass work crystallized as the band’s foundational element. Established the template that would define The Fall’s sound across the coming decades: repetitive, hypnotic, and acerbic.
This Nation’s Saving Grace (1985)
An album that balanced experimental post-punk abstraction with surprisingly direct lyrical commentary on contemporary Britain. Demonstrated Smith’s capacity to evolve within his established aesthetic without abandoning core principles.
Bend Sinister (1986)
Among the band’s most accomplished works, showcasing tighter arrangements and a greater emphasis on melodic undercurrents beneath the surface abstraction. Proved The Fall could refine their sound without diluting its power.
Extricate (1990)
Captured The Fall at a peak of creative maturity, balancing their experimental impulses with songs that possessed genuine emotional weight beneath the deadpan delivery. Represented the culmination of their 1980s trajectory.
The Unutterable (2000)
A late-period album that demonstrated The Fall’s refusal to retreat into nostalgia or self-parody. Maintained their commitment to conceptual restlessness and acerbic observation into their third decade.
Fall Heads Roll (2005)
Released when The Fall was entering their fourth decade, this album proved the band could still generate surprising new directions while retaining their fundamental identity and Mark E. Smith’s uncompromising vision.
Signature Songs
- “Repetition” — An early statement of the band’s core aesthetic: a song structured entirely around repetitive, hypnotic guitar and bass work that builds toward a sense of controlled dread.
- “How I Wrote Elastic Man” — A rare moment of narrative clarity from Smith, delivered with his characteristic sardonic detachment and rhythmic precision.
- “The Sparta” — Showcases the band’s ability to create tension through minimal means, with Steve Hanley’s bass work at the center of a sparse but propulsive arrangement.
- “English Scheme” — Demonstrates Smith’s gift for observational commentary, presented through spoken-sung vocals over a characteristically off-kilter groove.
Influence on Rock
The Fall’s influence on post-punk and alternative rock proved substantial despite their refusal to chase commercial success. Their insistence on artistic autonomy and conceptual restlessness provided a model for countless bands uninterested in mainstream compromise. By maintaining constant line-up rotation and album-to-album stylistic shifts, they demonstrated that a rock band need not calcify into a nostalgia act or dissolve entirely; instead, an artist could remain the constant while everything around them transformed. Bands working in industrial rock, post-punk revival, and art rock all drew lessons from The Fall’s commitment to abstraction and repetition as tools for emotional and intellectual expression. Mark E. Smith’s role as a solo visionary within a collaborative medium—similar to figures like Robert Quine or Richard Hell—established a template for the uncompromising post-punk frontman that echoed through decades of alternative rock.
Legacy
The Fall disbanded in 2018 with Mark E. Smith’s death, ending one of rock music’s most consistent and prolific careers. Their 32 studio albums across four decades represent one of the largest and most uneven bodies of work in rock history—a fact that Smith seemed to embrace rather than resist. The band never achieved mainstream commercial success comparable to their cultural influence, a distinction that only strengthened their credibility within alternative and post-punk circles. In the decades since their formation, The Fall have been recognized as a foundational post-punk institution whose approach to repetition, abstraction, and working-class observation influenced both contemporary acts and retrospective reevaluation of post-punk’s possibilities. Streaming platforms and retrospective box sets have made their catalog more accessible to younger listeners unfamiliar with their original releases, ensuring their relevance to successive generations of rock musicians and listeners interested in the margins where abstraction and passion converge.
Fun Facts
- The Fall’s line-up changed so frequently that Mark E. Smith once joked about being the only permanent member, a structural quirk that became celebrated as an artistic principle rather than a weakness.
- Steve Hanley’s bass work, spanning from Hex Enduction Hour through the late 1990s, is widely credited by critics and musicians as a primary architect of The Fall’s distinctive sound.
- The band’s discography spans 32 studio albums, an astonishing output that places them among rock’s most prolific acts and reflects Smith’s refusal to slow creative output or repeat commercial formulas.
- Throughout their career, The Fall maintained their Manchester base and working-class identity, resisting the cosmopolitan pretensions that often accompany alternative rock success.