Genre
Indie Rock
120 bands in the Top 500 carry Indie Rock as a primary or secondary tag.
- 120 bands
- 2000s dominant era
- 13 countries
- #016 R.E.M.
Athens, Georgia jangle-pop trailblazers who built American college rock.
- #038 The Smiths
Manchester icons whose four albums defined British indie.
- #041 Pixies
Loud-quiet-loud Boston quartet who taught alternative rock how to be weird.
- #046 The White Stripes
Detroit duo whose stripped-down blues garage revived rock's primal urge.
- #047 The Strokes
New York garage-rock revivalists who set the 2000s indie template.
- #048 Arctic Monkeys
Sheffield indie-rockers whose internet-fueled rise rewrote breakthrough playbooks.
- #051 The Smashing Pumpkins
Chicago dream-grunge band of double-album scale and shoegaze color.
- #053 The Killers
Las Vegas synth-rockers behind one of the defining 2000s debuts.
- #054 Kings of Leon
Tennessee brothers who arc-ed from southern garage to stadium rock.
- #114 Ride
Oxford four-piece blending Byrdsian jangle with shoegaze haze.
- #116 Mogwai
Glasgow instrumentalists central to post-rock's quiet-loud canon.
- #119 Explosions in the Sky
Texas instrumentalists whose cinematic builds soundtracked a generation.
- #120 This Will Destroy You
Texas post-rock band of patient texture and slow-burn dynamics.
- #134 The Raconteurs
Detroit-Nashville rock band led by Jack White and Brendan Benson.
- #137 Dinosaur Jr.
Massachusetts indie noise legends whose loud-soft template shaped 90s alt-rock.
- #158 Dashboard Confessional
Chris Carrabba's confessional acoustic-emo project, a 2000s phenomenon.
- #166 Brand New
Long Island band whose ambitious arc brought literary emo to indie spaces.
- #265 Café Tacuba
Mexico City eclectics whose music spans rock en español, electronica, and more.
- #268 Babasónicos
Buenos Aires alt-rockers whose sleek strangeness defines modern Argentine rock.
- #271 Aterciopelados
Bogotá rock-en-español band of folk-tinged genre play.
- #274 Los Planetas
Granada indie-rock standard-bearers in Spain.
- #275 Stereolab
Anglo-French band fusing Marxist lyricism with motorik grooves and lounge.
- #276 Phoenix
Versailles indie-rockers whose 'Wolfgang Amadeus Phoenix' broke France big.
- #303 Powderfinger
Brisbane band, one of Australia's most successful 2000s rock acts.
- #310 Tame Impala
Kevin Parker's Perth project who took psychedelic rock into pop's mainstream.
- #313 You Am I
Sydney indie-rock veterans whose 90s peak set Australian alternative rock.
- #320 The Triffids
Perth band of gothic Western Australia, beloved by 80s indie.
- #321 The Go-Betweens
Brisbane indie-pop band of literary jangle and slow-burn international acclaim.
- #324 Augie March
Shepparton indie-folk band of literary songwriting and lush arrangement.
- #325 Gang of Youths
Sydney band of stadium-scale indie rock and emotional candor.
- #330 The Tragically Hip
Kingston band synonymous with Canadian rock identity for three decades.
- #334 Arcade Fire
Montreal collective whose 'Funeral' is a 2000s indie cornerstone.
- #335 Broken Social Scene
Toronto indie-rock collective and 2000s Canadian indie hub.
- #336 Metric
Toronto synth-rock band of Emily Haines vocals and propulsive hooks.
- #337 Stars
Montreal indie-pop band of cinematic sweep and dual lead vocals.
- #338 Death from Above 1979
Toronto bass-and-drums duo of distorted dance-punk.
- #343 Our Lady Peace
Toronto alt-rockers and one of Canada's biggest 90s rock exports.
- #354 The Wedding Present
Leeds jangle-and-noise indie band beloved by John Peel.
- #360 Kasabian
Leicester indie-rockers of swaggering, electronic-leaning rock.
- #361 Franz Ferdinand
Glasgow indie-rockers whose dance-punk hooks defined a 2000s sound.
- #362 Bloc Party
London indie-rockers of jagged guitars and political restlessness.
- #363 The Libertines
London band of Doherty-Barât chaos and Albion-tinged tabloid notoriety.
- #364 Babyshambles
Pete Doherty's post-Libertines vehicle of rambling indie poetry.
- #365 Razorlight
London indie-rockers of late-2000s UK chart prominence.
- #366 The Kooks
Brighton indie-poppers of breezy melodic chops.
- #367 Kaiser Chiefs
Leeds indie-rockers of rabble-rousing chants and post-punk rhythms.
- #368 The Cribs
Wakefield Jarman-brothers indie band of jangly DIY ethics.
- #369 Editors
Birmingham band of Joy-Division-tinged moody indie.
- #370 The Maccabees
London indie-rockers of layered guitars and acclaimed late-period work.
- #371 Mumford & Sons
London band whose nu-folk anthems reignited mainstream banjo-pop.
- #372 Florence + the Machine
Florence Welch's London band of cathedral-scale art-rock.
- #373 Foals
Oxford band whose math-rock interplay matured into stadium-rock anthems.
- #374 alt-J
Leeds-formed art-pop band of choral harmonies and quirky structure.
- #375 Wolf Alice
London band drifting between dream pop, grunge, and indie folk.
- #376 The 1975
Manchester band fusing 80s pop sheen with confessional indie.
- #378 Fontaines D.C.
Dublin post-punks whose poetic snarl headlines the new UK-Irish wave.
- #379 Black Country, New Road
London art-rockers of literary ambition and chamber-rock arrangement.
- #382 Shame
London band central to the new UK post-punk wave.
- #383 Dry Cleaning
London band of spoken-word lyrics over drifting post-punk.
- #385 Fat White Family
London band of seedy art-rock and provocative theatre.
- #387 The xx
London trio of minimalist indie of whispered duet vocals.
- #388 Glass Animals
Oxford indie band whose 'Heat Waves' became a streaming-era smash.
- #389 Bombay Bicycle Club
London indie-rockers of polyrhythmic playfulness and warm production.
- #390 Vampire Weekend
NYC band of Afro-pop-inflected guitars and preppy literary pop.
- #391 Fleet Foxes
Seattle indie-folk band of choral harmonies and pastoral textures.
- #392 Bon Iver
Justin Vernon's Wisconsin band whose cabin-recorded debut became iconic.
- #393 The National
Cincinnati-via-Brooklyn band of literary baritone indie rock.
- #394 Modest Mouse
Issaquah indie-rockers whose oddball songcraft became a 2000s mainstream act.
- #395 Death Cab for Cutie
Bellingham indie-rockers of melancholy melodicism.
- #396 The Decemberists
Portland literary indie-folk band of theatrical narrative songs.
- #397 Wilco
Chicago alt-country pioneers turned restless American art-rock band.
- #398 My Morning Jacket
Louisville band of reverbed Americana and jam-band live reach.
- #399 Band of Horses
Seattle indie-rockers of widescreen Americana and harmony.
- #400 The Shins
Albuquerque indie-pop band whose 'Oh, Inverted World' is a 2000s touchstone.
- #401 Spoon
Austin indie-rockers of taut, minimalist groove and crisp production.
- #402 Yeah Yeah Yeahs
NYC trio whose Karen O-led art-punk became a 2000s indie touchstone.
- #403 LCD Soundsystem
James Murphy's NYC dance-punk band of restless, witty disco-rock.
- #404 TV on the Radio
Brooklyn art-rockers fusing post-punk, soul, and electronic experimentation.
- #405 Sleater-Kinney
Olympia riot-grrrl trio whose post-punk crackle defined a feminist indie generation.
- #418 Cake
Sacramento alt-rockers of trumpet-flecked deadpan and unmistakable groove.
- #419 They Might Be Giants
Brooklyn duo of clever, durable alt-pop across many decades.
- #420 Ben Folds Five
Chapel Hill piano-rock trio whose punkish virtuosity stood out in the 90s.
- #443 The Sea and Cake
Chicago indie-jazz-rockers of summery groove and Sam Prekop vocals.
- #444 Built to Spill
Boise indie band whose Doug Martsch-led guitar sprawl is hugely influential.
- #445 Yo La Tengo
Hoboken indie lifers fluent in everything from drone to bossa nova.
- #446 Pavement
Stockton lo-fi indie cornerstone whose albums remain indie-rock canon.
- #447 Sebadoh
Lou Barlow's lo-fi indie band, an essential 90s touchstone.
- #448 Guided by Voices
Dayton indie-rock institution of Robert Pollard's prolific four-track songwriting.
- #449 Galaxie 500
Boston dream-pop band whose three records remain quietly enormous.
- #450 Mazzy Star
L.A. duo whose 'Fade Into You' is dream pop's best-known hit.
- #451 Beach House
Baltimore dream-pop duo whose woozy guitars define the modern genre.
- #452 The War on Drugs
Philadelphia band of Springsteen-meets-Krautrock heartland indie.
- #453 Real Estate
Ridgewood, NJ indie-rockers of jangle and suburban melancholy.
- #454 DIIV
Brooklyn shoegaze band of Slowdive-tinged guitar haze.
- #455 Deerhunter
Atlanta art-rock band of restless reinvention and Bradford Cox songwriting.
- #456 Animal Collective
Baltimore experimental-pop collective whose 'Merriweather' is a 2000s touchstone.
- #457 of Montreal
Athens, Georgia indie-pop band of Kevin Barnes' theatrical psychedelic glam.
- #458 The Flaming Lips
Oklahoma City psychedelic-rock band of cosmic ballads and confetti-cannon shows.
- #459 Mercury Rev
Buffalo psychedelic-rockers of orchestral, pastoral indie.
- #463 Primal Scream
Glasgow rock chameleons whose 'Screamadelica' fused indie and dance.
- #464 The Stone Roses
Manchester band whose self-titled debut anchored Madchester and shaped Britpop.
- #465 Happy Mondays
Manchester baggy-rave-rockers central to Madchester.
- #466 Inspiral Carpets
Oldham Madchester organ-rock band, an early 90s indie crossover.
- #468 The La's
Liverpool band whose lone LP gave us 'There She Goes' and a lasting myth.
- #471 Gomez
Southport indie-rockers whose 'Bring It On' won the 1998 Mercury Prize.
- #472 Travis
Glasgow band whose post-Britpop melodicism opened the door for Coldplay.
- #473 Snow Patrol
Glasgow-formed band whose 'Chasing Cars' became a global radio staple.
- #477 Super Furry Animals
Welsh indie-rock psychonauts of bilingual brilliance and concept-album imagination.
- #483 The Cranberries
Limerick band fronted by Dolores O'Riordan whose 90s alt-rock hits remain ubiquitous.
- #484 Ash
Downpatrick band whose '1977' is a beloved Britpop-era melodic-rock LP.
- #485 Two Door Cinema Club
Bangor indie-rockers of bright, danceable guitar-pop.
- #487 The Frames
Dublin band led by Glen Hansard, indie-folk lifers.
- #488 And You Will Know Us by the Trail of Dead
Austin post-hardcore prog-leaning band of cinematic ambition.
- #489 Cursive
Omaha emo-leaning indie-rock band of literate concept albums.
- #490 The Get Up Kids
Kansas City Midwest-emo standard-bearers.
- #492 American Football
Urbana emo-twinkle pioneers whose lone 90s LP became a cult classic.
- #493 Mineral
Texas emo band whose two 90s LPs remain genre essentials.
- #494 The Hold Steady
Brooklyn-via-Minneapolis bar-rockers of literary Craig Finn songwriting.
- #499 The Pillows
Tokyo indie-rock veterans whose anime-soundtrack work brought them global fans.
- #500 Hyukoh
Seoul indie-rock band among Korea's most acclaimed contemporary rock acts.